Synthesis KONTAKT
FREE | 10/07/2014 | 374 MB
A small library from The Last Haven Records. Best suited for genres: Soundtrack, Trailer and New Age.
Viewed 4779 By Music Producers & DJ´s.
A small library from The Last Haven Records. Best suited for genres: Soundtrack, Trailer and New Age.
Synthesis & Sound Design Masterclass is a monster course spanning close to 50 videos with over 22 hours of total training. It will take you from a novice or even moderately accomplished synthesist to the next level, and then to the one beyond that. We’ll take a cross platform approach to sound design, looking at techniques and tips that are common to many instruments, allowing you to get the most out of what you already have.
Harmor is an additive synthesis monster! In this 45-tutorial course, GW Childs explains how this instrument will change the way you think about making music!
Harmor, the steroid-enhanced synthesizer, is one of the most pumped-up synths ever invented! It’s primarily an additive synthesis machine in a familiar subtractive synthesis body. So yes, it does have a filter, but it’s a filter that you draw with and design to your specifications! But there’s also a lot more…
Banks of sampled drums are a great resource, but there’s a lot to be learned from good old-fashioned synthesis. With the incredible wealth of sampled drum libraries, loops, classicdrum machine emulations and even virtual drummers, it may seem like there’s little need to synthesise your own drum sounds from scratch. While we’re not suggesting for a minute that you give up those modern conveniences, there are loads of useful reasons to givedrum synthesis a try.
Scanned Synth Pro offers “Scanned Synthesis” – until now, this new synthesis technology has only been available to users of Csound and Max. Scanned Synthesis represents a powerful and efficient technique for animating wavetables and controlling them in real-time. Developed by Bill Verplank, Rob Shaw, and Max Mathews between 1998 and 1999 at Interval Research, Inc. it is based on the psychoacoustics of how we hear and appreciate timbres and on our motor control (haptic) abilities to manipulate timbres during live performance. This Refill contains a wide selection of multisampled sounds from the synth.
This refill has been made in the period of June 2013 till August 2013. Contains about 1000 patches. All these patches are compatible with Reason 4 and upwards. The synthesis refill is based on a lot of different ideas that came to live during song creations. While most of these songs have devices scattered around through out the rack, I felt the need to make it easier to make a series of combinator patches that would spice up the rack. To make the synthesis refill more complete, some synthesizer patches are made from the ground up again by using the subtractor, malstrom or thor. The sounds are non genre specific, since some of these patches come from my own production works (ranging from Goa, to Drum and Bass to Ambient). While other patches have been made with out having it ‘genre’ specific.
What is sound actually made of? Why do certain sounds have textures? Which waves suit what purposes? These questions and many more get posed an answered in this intelligent and fascinating presentation by our star lecturer, Wedge. You will learn about the nature of harmonics in waves (both odd and even) Overtones, Resonance, wave properties and most importantly how all this relates to making your own synthesised sounds.