GRANULIZER 2 is a granular synthesis software synthesizer intended for creative sound design. It features a very versatile DSP engine that is able to deliver a wide sound palette, with sounds varying from metallic crunch and grainy fuzziness to smooth reverb-like tones, spectral widening or chaotic soundscapes.
An inspiring instrument that combines a variety of acoustic instruments from around the world with digital synthesis, layers of organic sound recordings, and effects processing.
Audio Damage Quanta 2: A Game-Changing Tool for Sound Designers and Musicians. If you’re a sound designer or musician looking for a powerful, intuitive tool for granular synthesis, the Audio Damage Quanta 2 is a must-have. Designed by one of the leading innovators in plugin design, Quanta 2 is available for download on Magesy, Magesy Pro, and Magesy R-evolution. One of the most notable features of the Quanta 2 is its granulation engine. It allows users to break down a sound into small “grains,” each of which has its own unique pitch, envelope, and density. This makes it possible to create entirely new and unique sounds from any source material. But the Quanta 2 is more than just a granular synthesizer. It also includes advanced features like a modulation matrix, a dual delay, and a built-in arpeggiator. And thanks to its graphical interface, it’s quick and easy to understand and navigate, even for beginners. One of the most impressive things about the Quanta 2 is its ability to load samples directly into the plugin. This means you can use any audio file as the basis for granular synthesis, opening up an almost endless array of creative possibilities. And with support for multiple sample formats, it’s easy to integrate Quanta 2 into any workflow. If you’re looking for a tool that can take your sound design and music production to the next level, the Audio Damage Quanta 2 is definitely worth checking out. And with hassle-free downloads available on Magesy Pro, Magesy, and Magesy R-evolution, it’s easier than ever to get started.
Create atmospheres and FX loaded with tension, darkness and mystery. Add tension, darkness and mystery to your music and evoke instant emotions in your audience with DRONAR: Dark Synthesis – the fourth module in Gothic Instruments´ incredibly successful series of Kontakt sound design tools. Twisted. Bold. Supernatural. Disturbing. Industrial… Heavily synthetic tones that are reminiscent of some of today´s most popular TV dramas and complex cinematic sound design layers combine with DRONAR´s critically acclaimed audio sculpting tools to make it easy to shape your own take on this sought after Synthwave/Retro Electro sound. Netflix´s Stranger Things soundtrack, Cliff Martinez´s synth-driven score for the 2011 movie Drive, the music of SynthWave artists such as Kavinsky and Perturbator – DRONAR Dark Synthesis delivers all these types of sounds that would normally take hours to produce from scratch.
The XILS 4 emulates a prototype that was never released, the EMS VCS4, based on two integrated, interlinked and interacting VCS 3 ( Synthi) cores. We also coupled them with the famous 256 analog polysequencer…
With Cascade 112dB gives you a completely new form of synthesis to play with, creating sounds you could never create before. Cascade synthesis is based on a complex delay network that can densify a sound up to 5832 times. That doesn’t mean however that a sound you create with cascade will per definition sound ‘denser’. It can also be more lush and spacious, depending on the settings you choose. What makes Cascade really unique however is that a sound can develop over time, adding extra dimensions to it. And moreover: that you can select the most interesting part of this development process as the part you want to hear.
This course provides a strong foundation in the fundamentals of sound synthesis including a discussion of the basic parameters found in software and hardware synthesizers, various commonly used synthesis methods, and techniques for creating unique sounds with virtual instruments found in Logic Pro, Ableton Live and Avid Pro Tools. Specific topics include oscillator and waveform types, sound generation, and modulation sources and parameters such as LFO’s (low frequency modulators), envelopes, and step sequencers. Various filter types will be explored as a means of shaping synthesized sounds to create unique textures and timbres.
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