Universal Piper is a new instrument that aims at faithfully reproducing the sound and the playing sensation of bagpipes of any types. The idea of this new instrument emerged facing the limitations encountered with a real bagpipe while composing, rehearsing or playing on stage, especially with other tempered instruments (guitar, piano).
Polymorph, verb : fiction, transitive, intransitive) ‘‘To transform into something different by magic.’’ What if you could shape shift your music with Spire? With Polymorph, we created a bank that can take many shapes and what all these possibilities have in common, is the creative potential for your music. This sound bank for Spire was created with the goal of using all the best features of this synth. Out of that process emerged a preset pack filled with thick and fat sounds wich shows Spire’s true character.
Well-known Formant Sculpting Resonator from the era of early Polysynths. Resonance as a tonal sculptor is a spectral shaping — decades before the term became common. The resonator emphasized carefully chosen bands, creating vowel-like formants, animated timbres, and shimmering harmonic structures that felt almost acoustic.
12inchsounds Electronic Breaks A collection of dance-inducing underground samples for all producers to behold. Introducing Raw Tech House! Raw bass meets tight rolling rhythms, with a healthy dose of analogue melodics to keep the dancefloor engaged. This is for the raw groove heads, carefully designed to tear up the club and give the bass bins a run for their money. Raw Tech House was professionally constructed to deliver the true essence of house and techno being played in some of the top clubs and warehouses from the UK to Ibiza. Polish and sheen have been traded in for gritty and raw textures, designed from the ground up with boutique analogue gear and digital equipment. Sounds have been generated, recorded, and processed through the best signal chains, meaning the sounds hit just as they should.
Big one for hybrid DJ producers! Finally you can scratch, mix & control Ableton via timecode DVS.
The Supernova modelling workstation earned a pile of accolades for its excellent ‘analogue’ sounds, superb multitimbral effects, and its user‑friendly, knobular interface. But Novation have now withdrawn the original and replaced it with the Supernova II. Can something so good get better still? Although they were already well known for budget modelling synths like the BassStation and the Drumstation, Novation’s launch of the Supernova in 1998 marked the company’s entry into the big time. And what an impressive mark it made (see SOS August 1998 for the original review). Things have come on in the world of analogue modelling synths since then, but even by today’s standards, the original Supernova has a lot going for it, and it has taken even some of the longer‑established manufacturers until now to catch up. With the release of the Supernova II, Novation are clearly hoping to up the ante once again.
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