The LVL-01 is an A.I./M.L.-based audio compressor with a unique Thick, Punchy, and Dirty/Crunchy sound. The LVL-01 is the world’s first real-time Machine Learning / A.I. based audio compressor plugin. LVL-01– is an emulation of a customized analog gates sta-level compressor.
Drums…, the most crucial part of of your mix that can make or break a track. For decades pro engineers have used various combinations of compressors, pre-amps ,eq’s and saturation to make styles of sounds that stand out. Not just a compressor or eq, Loc-Ness is the mystical plugin that brings all the right controls and colors for drums to your workstation . This is a dedicated channel designed for processing Individual Drum Hits, The room sound, and the entire drum bus.
Our brand new amp simulator called Amplifikation Caliburn which we are confident to say that this is our best amp yet. This time, it’s inspired by Britain’s Marshall* Amps crafted using our most current 3rd generation modeling technology, resulting a satisfying responsive feel, more dynamic guitar playing experience you’ll love. Supports various audio plugins: VST/VST3/AU/AAX which compatible with any kind of Digital Audio Workstation softwares. Standalone version are also available. In the history of music, British made amplifiers has undeniable influences to the evolution of rock music. The loud, chimey clean, and thick crunchy mids of those amps were popularized by big acts such as Jimi Hendrix, Led Zeppelin, and The Who. It is the sound of rock music that lasts through generations until today. If there was only one name that represents the sound of rock music, it’s absolutely this one: Marshall* Amplifiers. Founded by Jim Marshall in 1962, Marshall* amplifiers have taken the lead to be the top choice of many guitarists, such as Jeff Beck, Tom Morello, Andy Summers, Slash, Angus Young, Yngwie Malmsteen, to Kerry King of Slayer*.
3rd gen Tube Simulation technology following the much hyped Amplifikation Caliburn. Amplifikation Matchlock is inspired by Fender* combo amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists.
Designed to mimic the “wa wa” sound from a Wah pedal. WF3607 features 6 modes of filtering effect taken from the familiar crybaby sound to synth-like filters. In the 1920s guitar players were fascinated by the “wa wa wa” sound made by trumpet players by opening and closing their mutes. Its filtering effect alters the resonance of the instrument and it feels to increase the expressiveness of playing. More than 40 years later, an accidental invention resulted in a device that forever changes the sound of guitar. This pedal eventually known as the Cry Baby*. Next, in the 1970s, an aborted synthesizer project resulted in an similar “wah wah” effect, which later known as Mu-Tron* III envelope filter. These two devices revolutionized almost every genre of music as we know it today.
Amplifikation Rectifor is inspired by the High Gain Mesa/Boogie* Guitar Amp It’s the fifth product on their range of Guitar Amp Simulator products which utilizes their 3rd generation of circuit modeling technology, proved to give a satisfying dynamic response from the amp tone generated. It’s also the first to implement Kuassa’s next-generation user interface. Streamlining the process of operating the plugin for users with a cleaner, sleeker interface.
Inspired by a signature amp of a legendary guitarist, an inventor who has inspired the 5XXX signature guitar amplifier which delivers a very specific kind of guitar tone, dubbed as the “brown sound“. It’s also implement next-generation user interface. Streamlining the process of operating the plugin for users with a cleaner, resizeable interface. What are some numbers that are closely related to heavy music? Other than the number of the beast, it’s probably this sequence of numbers: 51 and 50. Taking its name from the signature of the legendary guitarist, an inventor who has inspired the 5XXX signature guitar amplifier delivers a very specific kind of guitar tone, dubbed as the “brown sound“. The amp has become a staple of metal sound. It’s on every album with crushing and distorted guitars, such as Machine Head*, Opeth*, Testament*, Trivium*, Gojira*, and so many others!
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