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Degradation engine introduces the vibrant heart of an analogue synth to the fractured forgetfulness of microcassette – and opens up a deep world in between. Degradation engine works very similarly to a regular subtractive synth – you get your filter, an ADSR, a mixer, and some handy effects. what sets it apart is its two oscillators, which each have two knobs controlling “loss”. These knobs fade between the oscillator’s raw signal and a degraded version sampled through a microcassette tape – so, with each oscillator, you can choose any point between a raw analogue waveform and total tape fragility. not only this, but each oscillator has two types of degradation, with the samples recorded both at full-speed and half-speed. full-speed has a more brittle sound whereas half-speed is warmer and rounder – and again, you can go anywhere between these two extremes and bearing in mind that there are two waveforms per oscillator, it gets very deep very quickly…
An excellent polyphonic super synth based on the classic Bass Station. Let’s start with 16 voices of polyphony (20 with the new OS), add three VCO’s using sound modeling to re-create those classic analog sounds with digital clarity and reliability. Amazingly this synth has seven effects per voice! That adds up to 56 effects all programmable and simultaneously available on all voices at all times!!! A macho filter section with hi, low, band pass filtering at 12, 18, 24 dB/oct ranges, resonant and self oscillating, with overdrive and key tracking. There are two extremely flexible LFO sections, two ring modulators, eight audio outputs, complete MIDI parameter control and it is cased in a cool blue 3-space rack unit.
Tongue, features high-fidelity recordings at 192kHz 32bit, capturing the instrument’s rich overtones and natural decay. Whether you’re composing ambient music, soundtracks, or adding a new layer to your productions, you’ll find the authentic sound adding emotion and a human touch to your next masterpiece.
Sound From Different Types Of Harp Guitars: Tonedevil – The Freedom Harp, HarpLyre, Holloway, Mandolin, Chitarpa, Balalaika, Knutsen guitar, Harp-Lyres, Zither, Tamburica.
Piano macro lets you blend and independently pan two simultaneous signals: “contact” controls the contact microphone’s signal, while “distance” lets you balance this with a more rounded and traditional dynamic mic. run this through some easy-access effects processing, and that’s it!
no menu-diving; no analysis paralysis; all inspiration.
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