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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • E-MU Proteus 1 XR AKAi INTERNAL-PHOTONE

    E-MU Proteus 1 XR AKAi

    PHOTONE | 19th July 2016 | 572.25 MB

    When I first heard the Proteus/1 I was blown away by its internal demo song. The strings sounded so real to me, one could hear the rosin on the bow and the friction of it on the strings of the violins. One of the peculiar things about the Proteus is the fact that many patches seem to emulate Roland D-50 patches, but not Korg M1 patches.. Both instruments were the instruments “to beat” at the time. I wonder why the programmers only focused on the D-50 and didn’t give the M1 sounds a shot.


    Viewed 1539 By Music Producers & DJ´s.


  • Yamaha Ex7 Akai Internal Photone Magesy

    Yamaha EX7 AKAi

    PHOTONE | 26th July 2016 | 600.95 MB

    The EX7 features a unique Extended Synthesis system which incorporates a number of the most advanced tone generator technologies currently available…plus a full-featured sampling system. It offers a Four-Element Voice structure which allows for up to four independent waves from any of the tone generators. The tone generators implemented here include AWM (Advanced Wave Memory) Synthesis, AN (Analog Physical Modeling) Synthesis and FDSP (Formulated Digital Sound Processing) Synthesis. According to Yamaha: “AWM is Yamaha’s original system for effectively using sampled waveforms in synthesizers and tone generators. The strength of AWM synthesis lies not only in its extraordinary ability to “shape” and control the sound of the samples with a comprehensive system of envelope generators, filters, key scaling parameters, modulation, and more. AWM voices can have from 1 to 4 AWM elements. Each AWM element can use a preset wave or a sampled waveform. The ability to combine AWM elements means that you can, for example, combine separate samples for the attack and sustain portions of an instrument’s sound, with independent control over each.


    Viewed 740 By Music Producers & DJ´s.


  • E Mu Audity 2000 Akai Internal Photone Magesy

    E-MU Audity 2000 AKAi

    PHOTONE | 16th September 2016 | 497.65 MB

    The Audity 2000 takes its name from the classic and one-and-only Audity, but that’s about it. Although, the Audity 2000 has the same synthesis architecture as the Proteus, and the Proteus’s synth chips were designed with the original Audity in mind. The Audity 2000 is a digital synth with an unprecedented 16 simultaneous arpeggiators. That’s great for trance and techno! With an emphasis on electronic groove music, the Audity 2000 offers up many dance type sounds but with an uncomfortable digital “tinny” overtone. Its 12-pole digital resonant filter is nice…but it’s no Moog.


    Viewed 899 By Music Producers & DJ´s.


  • TMK001 Polyphonic Wretch Machine KONTAKT-PHOTONE

    TMK001 Polyphonic Wretch Machine KONTAKT

    TEAM PHOTONE | 26/04/2015 | 1.65 GB

    The Metasonix S-1000 Wretch Machine is the only commercially available synthesizer to use gas-tube oscillators as the fundamental sound source. This technology predates most of the recognized synthesis advancements of the 20th century, and was abandoned in favor of integrated circuits. The waveforms generated by these gas-filled wonders of yesterday are a beauty unto themselves – wildly variable, inherently unique, and filled with atmosphere. At the helm of this recording is Michael Weeks, who has been involved with the S-1000 Wretch Machine since its inception. Brought to life at Metasonix with help from Michael’s constant prodding to create an integrated rack mount synthesizer, and named after his band The Wretch, Michael has clocked more hours behind the wheel of the Wretch Machine than anyone outside of Eric Barbour. The goal of this library is simple: provide the most comprehensive and raw presentation of the heart of the Wretch Machine to sound designers via painstakingly recorded samples of its oscillators. Utilizing a scripted interface in Kontakt 4, we provide basic building blocks for sound designers to truly integrate these incredible waveforms into their studio environment.


    Viewed 561 By Music Producers & DJ´s.


  • PHOTONE WAV-FANTASTiC
    March 5th, 2022 ⚡
    Categories:

    PHOTONE WAV-FANTASTiC

    PHOTONE WAV

    FANTASTiC | 04 February 2022 | 45 MB

    PHOTONE is in Reaktor’s factory library and despite being upstaged by it’s big brother MASSIVE it still has some cool chops. Flintpope made 24 acidic, abrasive and atmospheric presets for this synth and here they are as samples. Get that edgy PHOTEK vibe…


    Viewed 160 By Music Producers & DJ´s.


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    Waldorf Pulse AKAi INTERNAL

    PHOTONE | 16th September 2016 | 453 MB

    The Waldorf Pulse is a monophonic synthesizer equipped with three oscillators and an arpeggiator. Its 100 patch programs are divided into 59 presets, 40 user sounds and one random sound. In addition to some standard modulations, four freely routable modulation units with selectable source, amount and destination give almost unlimited possibilities for analog bass and lead synth sounds.


    Viewed 419 By Music Producers & DJ´s.


  • Korg Z1 AKAi INTERNAL-PHOTONE
    June 30th, 2021 ⚡
    Categories:

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    Korg Z1 AKAi INTERNAL

    PHOTONE | 27th July 2016 | 613.80 MB

    The Z1 is like a polyphonic Prophecy housed in a full sized and featured Trinity workstation-like casing! It does all the analog sounds and more. This is a great analog modeling synth with 12-voice polyphony, thirteen waveforms, four LFOs, two resonant filters, two effects units and more. The ability to create unique sounds is endless. The factory patches could use some help, but overall the sound is very nice! It has a fully polyphonic arpeggiator that blows all others away. It has five preset arpeggio patterns and fifteen user patterns. Unfortunately there is no on-board sequencer. There is incredible real-time control available with knobs to control the two resonant filters, and a touch controlled ‘XY’ pad for tweaking patches in real-time. The Z1 is used by KMFDM, Gary Numan, LTJ Bukem and Orbital.


    Viewed 414 By Music Producers & DJ´s.


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