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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Waldorf MicrowaveXT INTERNAL AKAi-PHOTONE

    Waldorf MicrowaveXT INTERNAL AKAi

    PHOTONE | 29 August 2016 | 530.06 MB

    The Microwave XT is a great big orange polyphonic rackmount synthesizer. While combining the power of the Wave and the compact design of Waldorf’s Microwave II, the XT adds a bit of knob-laden heaven. At first glance the top section completely resembles the 2-space rackmount version of the Microwave II. And then there are three more rack-spaces full of knobs and lots of knobs means lots of control. As far as enhancements, the XT model has 20-bit DSP functions but that’s about it. Its true power and features lie in the 44 hands-on knobs which make editing in real-time quick, easy and perfect for performance and studio work. All of the knobs transmit MIDI information as well!


    Viewed 10484 By Music Producers & DJ´s.


  • E-MU Proteus 1 XR AKAi INTERNAL-PHOTONE

    E-MU Proteus 1 XR AKAi

    PHOTONE | 19th July 2016 | 572.25 MB

    When I first heard the Proteus/1 I was blown away by its internal demo song. The strings sounded so real to me, one could hear the rosin on the bow and the friction of it on the strings of the violins. One of the peculiar things about the Proteus is the fact that many patches seem to emulate Roland D-50 patches, but not Korg M1 patches.. Both instruments were the instruments “to beat” at the time. I wonder why the programmers only focused on the D-50 and didn’t give the M1 sounds a shot.


    Viewed 6370 By Music Producers & DJ´s.


  • Yamaha Ex7 Akai Internal Photone Magesy

    Yamaha EX7 AKAi

    PHOTONE | 26th July 2016 | 600.95 MB

    The EX7 features a unique Extended Synthesis system which incorporates a number of the most advanced tone generator technologies currently available…plus a full-featured sampling system. It offers a Four-Element Voice structure which allows for up to four independent waves from any of the tone generators. The tone generators implemented here include AWM (Advanced Wave Memory) Synthesis, AN (Analog Physical Modeling) Synthesis and FDSP (Formulated Digital Sound Processing) Synthesis. According to Yamaha: “AWM is Yamaha’s original system for effectively using sampled waveforms in synthesizers and tone generators. The strength of AWM synthesis lies not only in its extraordinary ability to “shape” and control the sound of the samples with a comprehensive system of envelope generators, filters, key scaling parameters, modulation, and more. AWM voices can have from 1 to 4 AWM elements. Each AWM element can use a preset wave or a sampled waveform. The ability to combine AWM elements means that you can, for example, combine separate samples for the attack and sustain portions of an instrument’s sound, with independent control over each.


    Viewed 3304 By Music Producers & DJ´s.


  • E Mu Audity 2000 Akai Internal Photone Magesy

    E-MU Audity 2000 AKAi

    PHOTONE | 16th September 2016 | 497.65 MB

    The Audity 2000 takes its name from the classic and one-and-only Audity, but that’s about it. Although, the Audity 2000 has the same synthesis architecture as the Proteus, and the Proteus’s synth chips were designed with the original Audity in mind. The Audity 2000 is a digital synth with an unprecedented 16 simultaneous arpeggiators. That’s great for trance and techno! With an emphasis on electronic groove music, the Audity 2000 offers up many dance type sounds but with an uncomfortable digital “tinny” overtone. Its 12-pole digital resonant filter is nice…but it’s no Moog.


    Viewed 3675 By Music Producers & DJ´s.


  • TMK001 Polyphonic Wretch Machine KONTAKT-PHOTONE

    TMK001 Polyphonic Wretch Machine KONTAKT

    TEAM PHOTONE | 26/04/2015 | 1.65 GB

    The Metasonix S-1000 Wretch Machine is the only commercially available synthesizer to use gas-tube oscillators as the fundamental sound source. This technology predates most of the recognized synthesis advancements of the 20th century, and was abandoned in favor of integrated circuits. The waveforms generated by these gas-filled wonders of yesterday are a beauty unto themselves – wildly variable, inherently unique, and filled with atmosphere. At the helm of this recording is Michael Weeks, who has been involved with the S-1000 Wretch Machine since its inception. Brought to life at Metasonix with help from Michael’s constant prodding to create an integrated rack mount synthesizer, and named after his band The Wretch, Michael has clocked more hours behind the wheel of the Wretch Machine than anyone outside of Eric Barbour. The goal of this library is simple: provide the most comprehensive and raw presentation of the heart of the Wretch Machine to sound designers via painstakingly recorded samples of its oscillators. Utilizing a scripted interface in Kontakt 4, we provide basic building blocks for sound designers to truly integrate these incredible waveforms into their studio environment.


    Viewed 2683 By Music Producers & DJ´s.


  • PHOTONE WAV-FANTASTiC
    March 5th, 2022 ⚡
    Categories:

    PHOTONE WAV-FANTASTiC

    PHOTONE WAV

    FANTASTiC | 04 February 2022 | 45 MB

    PHOTONE is in Reaktor’s factory library and despite being upstaged by it’s big brother MASSIVE it still has some cool chops. Flintpope made 24 acidic, abrasive and atmospheric presets for this synth and here they are as samples. Get that edgy PHOTEK vibe…


    Viewed 718 By Music Producers & DJ´s.


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    Waldorf Pulse AKAi INTERNAL

    PHOTONE | 16th September 2016 | 453 MB

    The Waldorf Pulse is a monophonic synthesizer equipped with three oscillators and an arpeggiator. Its 100 patch programs are divided into 59 presets, 40 user sounds and one random sound. In addition to some standard modulations, four freely routable modulation units with selectable source, amount and destination give almost unlimited possibilities for analog bass and lead synth sounds.


    Viewed 2342 By Music Producers & DJ´s.


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