• ABU2 v2.4.1 WiN MAC-R2R
    August 29th, 2016 ⚡

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    ABU2 v2.4.1 WiN MAC

    Team R2R | August 26 2016 | WiN: 2.24 GB | OSX: 3.31 GB

    APP/AU/VST/VSTi/VST3/RTAS/AAX

    Ample Bass Upright is a virtual upright bass instrument. ABU has a 4.26 GB sample library which is naturally recorded on every single fret. No destructive editing and dynamic processing are applied. Features 6 articulations: Sustain, Mute, Natural Harmonic, Hammer On & Pull Off, Legato Slide, Slide in & out. The Legato articulations can be used to achieve legato notes of any duration, speed, pitch and polyphony. Alternate Tuning.


    Viewed 6190 By Music Producers & DJ´s.

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    EVE-AT v1.1.1 Bundle WiN MAC

    Team R2R | August 24 2016 | WiN 40 MB | OSX 10 MB

    Need a shape?

    Whether your song, session or individual recorded tracks need a tone polishing, we have the right tools to get shaped. Consider this as a ‘tone-shaping‘ tool rather than a ‘surgical/corrective‘ tool. EVE-AT1 / EVE-AT4 consists of two individual EQs inspired by the design of the legendary Neve* 1081 and 1084 that are known for their clear, smooth, and very musical characteristics. We are thrilled by the sound and present these EQs as a modern tribute to one of the most influential audio tools ever created.


    Viewed 8928 By Music Producers & DJ´s.

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    RX Final Mix v1.03 MAC

    PlatenseSoul | 18.08.2016 | 46.64 MB

    AU VST VST3 RTAS 32Bit 64Bit

    Every Sound in Its Place: RX Final Mix is a real-time plug-in for controlling your peaks and giving your mixes and sub-mixes a smooth sonic balance. The newest member of the RX family of post production tools, RX Final Mix plug-in is built specifically for audio post production professionals and video editors. The Dynamic EQ and True Peak limiter are optimized with intelligent DSP for both maximum sound quality and True Peak compliance with the latest loudness standards (BS.1770-2/3, EBU R128, etc.). This processing delivers reactive, program-dependent, and more transparent mix results, giving you loud and impactful mixes with on-spec True Peak levels. Ensure clearer dialogue, maximum sonic impact, and more accurate mix compliance with RX Final Mix!


    Viewed 9147 By Music Producers & DJ´s.


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    Amplifikation Creme v1.3.3 WiN MAC

    Team R2R | 05 Aug 2016 | OSX: 33.0 MB | WiN: 190.3 MB

     APP/AU/VST/VST3

    Amplifikation Creme, featuring ultra-precise digitally engineered head and matching cabinets with built-in overdrive section consisting three kinds of legendary overdrive pedals built right to the amp giving you a full control of harmonically-rich distortion crammed with intense dynamics.


    Viewed 8091 By Music Producers & DJ´s.

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    AnalogStage v1.1.1 WiN MAC RETAiL

    P2P | 24.07.2016 | 68,41 MB

    VST VST3 AU RTAS AAX

    AnalogStage emulates those sound characteristics usually associated with analog gear (saturation, hiss, non linear frequency response, etc.) and can be used to bring to your mix some analog console flavor if used on every channel or buss. AnalogStage simulates the response of three different types of analog technology: operational amplifiers (the cleanest and more modern technology), transistor (the discrete transistor designs were popular in the 70s and have some fat saturation) and tube (the dynamic and smooth saturation of the past). Every one of the three different type of emulation can be used inside the same project but for convenience you can create up to eight group of instances so that any change to the emulation type, age, hiss switch and saturation switch is applied to every plugin belonging to the group.


    Viewed 6767 By Music Producers & DJ´s.


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    Spikes v1.0.0 WiN MAC RETAiL

    P2P | 24.07.2016 | 11,21 MB

    AU VST VST3 RTAS AAX

    Spikes is a transient processor, thanks to it’s intelligent auto settings you need just one knob to manipulate the sound, but if you want to tweak it every control is there at your fingertips. Working with audio often happens that you need to manipulate peaks and body of the signal, sure you have compressors at your disposal but a compressor needs a fixed threshold to work, a plugin like Spikes on the other hand uses a relative threshold so you don’t have to worry about the level of the signal.


    Viewed 5413 By Music Producers & DJ´s.

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