Drum Leveler v1.x.x WiN MAC

TEAM R2R/HEXWARS | 2023/2015 | WiN: 5.89 MB | MAC: 5.77 MB

Drum Leveler is a new beat detection-based downward and upward compressor/expander. By selectively applying gain to single drum beats, Drum Leveler easily achieves the desired target level for each beat, without affecting bleed noise or beats that are out of the user-defined processing range. Unlike traditional envelope-followers that detect incoming levels and utilize VCA to apply gain changes, Drum Leveler runs an advanced new algorithm that takes full advantage of the digital domain – allowing unparalleled control over your drums’ dynamics. Drum Leveler is powerful yet easy to use. It will help you achieve solid driving grooves, improve clarity and add punch to any percussive performance. Drum Leveler brings a new, radical approach to drum’s dynamics control. We’d like to encourage you to take the time and explore Drum Leveler to utilize its full power.

Studio One Bundle v3.0.3 WiN MAC

Team R2R | 16 September 2015 | WiN: 32.4 MB | OSX: 27 MB

..:: AU/VST/RTAS 32/64Bit ::..

The complete set of Sonalksis audio processing tools. Record, sculpt, experiment and refine your sound with this supreme collection.

Mr Sax-T v1.0.0 WiN MAC

Team DYNAMiCS | 23 January 2009 | WiN:159MB | MAC:230MB

..: KONTAKT/VSTi/RTAS/AU/UB :..

Mr. Sax T. employs an entirely new technology, developed by Stefano Lucato when it became clear that all the previously applied approaches simply could not do. The technical name is Synchronous Wave Triggering. It uses samples as a base material, chromatically performed by a professional sax player over a very wide dynamic range, and recorded with state-of-the-art technology. The resulting timbre is therefore that of the real instrument. But the analogy with a sample based library ends here. The underlying, proprietary technology allows continuous interpolation among different vectors like time, dynamics, pitch and formants.

Ultra Analog VA-1 v1.1.4 WiN

Team ASSiGN | 18 April 2010 | 9 MB

Ultra Analog offers 32 voices of polyphony and its highly adaptable signal path is driven by two super rich, alias free oscillators featuring standard waveforms, sub oscillators, hard sync, and integrated pitch envelopes. Two multimode filters with distortion are then applied to shape its sonic character. Finally, carefully chosen modulation options are provided by two syncable comprehensive LFOs, four loopable velocity sensitive ADSR envelope generators and vibrato.

Wizoo Darbuka & Latigo

Team DYNAMiCS | 25 June 2006 | 2.2GB

..: Arabic & Middle Eastern Percussion :..

Darbuka is a VSTi plug-in featuring a complete Arabic and Middle Eastern percussion group with a surround stage and unrivalled real-time control over arrangement and sound. Darbuka is neither a sample library nor another product based on a standard sample player. These are real performances played by world-renowned percussionists Suat Borazan and Mohamed Zaki. Wizoo’s proprietary FlexGroove engine adds full real-time control over arrangement, performance, sound and integrated surround ambience. The integrated mixer includes independent EQ, punch, and ambience adjustment for each instrument. Place instruments freely in one of 15 different surround stages and play patterns, fills, solos, variations and mutes via MIDI keys. Darbuka is the most musical way to bring ethnic percussion from North Africa and the Middle East to your tracks.

Pi v1.0.11 macOS

Team HEXWARS | 15 May 2015 | 10.3 MB

.:VST/AU/AAX/RTAS:.

Pi is an innovative, multi-channel phase interactions mixer plug-in engine for Mac and PC. Pi works to improve the summing of a DAW or a mixer. Pi dynamically minimizes frequency cancellations between instruments within the mix, improves mono compatibility and brings back the lost depth and focus lost when overlapping frequencies collide. Good phase relationships between mixer tracks, are a key to great sounding mix. Normally, where mixer channels are summed into a single stereo mix bus, instruments overlap and interact with each-other across the frequency range and phase position. Often, a bass track could be temporarily out-of-phase with the kick or rhythm guitar tracks, and when summed into a mix, end up cancelling each-other over the overlapping frequency range, causing a temporary “hole” in the low end. Similarly, a snare track could end up sounding thin in a mix when the toms resonance are out of phase with the snare.

ZG Vocal Forge🗣️

Team DYNAMiCS | 23 November 2005 | 1.04 GB

VOCAL FORGE is a new ZERO-G virtual instrument created by MIKE WILKIE & MATTHEW CORBETT (who produced the critically acclaimed Sounds of the 70s VI) and is powered by Native Instruments Intakt. Its uniquely inspiring new library features 800 patches and over 2,500 samples in 1.2 Gb of brand new material sourced entirely from pro vocal performances. Male and female MCs, sweet R+B, gospel singers, dance and pop vocals all recorded with accompanying harmonies.