Track Control v1.0 WiN MAC
FREE | 14 DECEMBER 2016 | WiN | MAC | 10 MB
AU VST VST3 AAX RTAS x86 x64
Everything, in one place. All the utilities from the top and bottom of a console channel.
Viewed 7970 By Music Producers & DJ´s.
Everything, in one place. All the utilities from the top and bottom of a console channel.
Usually the final mix of a music production does not translate well with all audio devices (e.g. HiFi, car audio, smartphone) at the beginning. To achieve this in an effective manner is not easy to master!
Introducing the first VST3+AU Ducker with real side chain support. Regain control over your signal’s gain reduction by ducking like it’s meant to be done. Perfect for Voice-Overs, Podcasting, Bass Cleaning (i.e. bass drum over bass), Pumping Effects and much more.
ClipShifter is a clipping-style limiter that provides enough user controls to be useful in all mixing stages. ClipShifter uses a unique threshold control to change the clipping threshold dynamically based on the transient characteristics of the incoming audio. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression. Additional parameters allow the user to control the even- and odd-order components of the saturation.
Building on over 17 years as the overwhelming choice of professional musicians, producers and engineers, Auto-Tune 8 is the new generation of genuine Auto-Tune pitch and time correction. New in Auto-Tune 8 is Antares’ revolutionary new Flex-Tune real-time pitch correction technology. While providing the seamless, natural pitch correction and audio quality that Auto-Tune is known for, Flex-Tune correction gives singers unmatched freedom to exercise their vocal creativity.
The Wall is is a brick wall limiter designed with one thing in mind: Make your mixes loud without screwing up your mix. No matter what side of the loudness wars you’ve decided to plant yourself on, the need to make mixes loud for clients isn’t going away any time soon. Sending your clients home with a mix that is just as loud as the professional mixes they are used to hearing is an important part of any mixing engineer’s job. But nothing drives me more insane than listening to all my hard work turn to garbage when pushing the mix loud. That’s why we made this plugin. We wanted a mastering limiter that lets you push your mixes loud and still keep the punch in your drums and keep your tonality intact.
The award-winning Nave has succeeded in changing perceptions of what a serious iOS instrument can be, thanks to unique sounds simply unachievable with any other synthesizer. We have often been asked when Nave would be available on other platforms. This new Nave brings that notable Nave sound engine to your favourite DAW. Designers have optimized its spectacular graphical user interface to work with the tried-and-tested computer combo of keyboard and mouse (or track pad) rather than touch screen surface technology, yet nothing has been lost in translation. The featured-packed Nave comes pre-packed with superb sounds, ranging from spatial pads to vivid wavetable scans and cutting leads to solid basses, but, above and beyond that, also an abundance of incredibly imaginative sound worlds – many of them professionally produced by some of the top sound designers around. As a synthesizer thoroughbred at heart, Nave really represents a phenomenal playground for sound creation creativity. Its oscillators offer expanded wavetable functionality with elaborate editing facilities and an extremely effective speech synthesizer.