Morphit v1.1.4 WiN MAC

TEAM R2R | 14.01.2017 | WiN: 3.34 MB | OSX: 2.57 MB

AU VST VST3 x86 x64

Improve the quality of your headphones, simulate a wide variety of brands and models, or customize your own headphone sound with TB Morphit. Every headphone has its own, characteristic sound. Did you ever consider how the specific sonic attributes of your cans change your mixing results? Do you ever wonder how your mix would sound on different headphones? Virtually every existing headphone introduces unwanted changes to the audio. TB Morphit helps to reduce these unwanted artifacts by improving the response of supported headphones. Moreover, it can simulate the sound of any of the other supported headphones. Hear how your mix translates from one set to another. Monitor how your mix will sound for your audience. This is especially important since several market studies have indicated that the majority of audio content is actually consumed over headphones. For this purpose, Morphit does not only include studio headphones, but also includes stock ear buds.

mvMeter v1.0 WiN MAC

FREE | 06.01.2017 | 26.48 MB

VST VST3 AAX AU RTAS x86 x64

mvMeter is a multivariable meter including RMS, EBUR128, VU and PPM measurement.

Junior-1006 v1.0.0 WiN RETAiL

SYNTHiC4TE | Jan 02 2016 | 40 MB

VSTi/VST3 x86 x64

Virtual vintage 8 voices polyphonic Subtractive synthesizer with 1 DCO ( Square, Pulse,Sawtooth, noise) with range + 1 Suboscillator (linked to DCO) + 1 Noise level slider, 1 triangle LFO, 1 multiband filter based upon the analog Curtis CEM3310 filter (1979) and the Oberheim SEM State Variable Filter (lowpass, highpass, bandpass, allpass), 1 ADSR envelope (DCO, VCF & VCA), Chorus FX, etc. … Junior-1006 IS NOT A PURE RECREATION OF ROLAND JUNO-106 ! It’s just inspired by the Junio-106, but with some hardware functions removed, new functions added. You can nevertheless obtain sounds very close to the original.

Impress v1.9.5 WiN MAC

Team R2R | Dec 24 2016 | WiN: 3 MB | OSX: 6 MB

AU AAX VST VST3 RTAS x86 x64

Impress is a wideband stereo compressor including side-chaining, various prefilter options and state-of-the-art over sampling. The goal of the design was to cover a broad range of compression applications in today’s mixing and mastering situations with strong focus on low aliasing. So, Impress could be used to shape subtle a snare sound, glue different tracks on instrument bus and even do complex tasks like deessing or voice over’s.

CS-3301 v1.2.2 WiN MAC

Team V.R | Nov 20 2016 | 3.4 MB

AU AAX RTAS VST3 VST

CS-3301 is a channel strip plugin with gate, EQs, compressor, saturation and oversampling. The (noise) gate suppresses noise or any other signal below a certain level. CS-3301 comes with 7 independent filter shaping the sound accurately.The compressor controls the dynamics of the signal. The VU meter monitors level of input/output signal and gain reduction of the compressor.

AB_LM v1.4.3 WiN MAC

TEAM R2R | 1.7.2016 | WiN: 3.4 MB | OSX: 8.64 MB

AB_LM is a gain control which enables level matched and sample accurate AB comparison of FX chains. Plugin (FX) or even a complex FX chain to the sound. Most DAWs can easily enable/disable (AB) single plugins or even whole FX chains, but in most case there is an audible loudness difference between both cases. In order to compare the impact of a plugin chain objectively the loudness of the incoming signal should match with the loudness of outgoing signal. Comparing the plugin effect at equal loudness levels avoids the “louder is better” – pitfall.

LA xLimit II v1.2.0 WiN MAC

Team R2R | Dec 24 2016 | WiN 5.2 MB | OSX 17.2 MB

AU AAX RTAS VST3 VST

LA xLimit II is an advanced look ahead, wideband linked-stereo limiter including ISP (inter sample peak) detection and oversampling. LA xLimit II is the successor of LA xLimit, our very popular look ahead limiter. It offers more control over transients and adaptive release curves. It also adds a second limiter stage for better performance in ISP detection mode. The goal of the design was to cover a broad range of limiting applications in today’s mixing and mastering situations with strong focus on low aliasing.