Tone that bites back The Zenbox is a balls-to-the-wall rock amplifier that is responsive and expressive. Built with an emphasis on creativity and efficiency, it packs a punch right out of the gate.
Sphinx 101 | Master bus processor. Component-accurate analog modeling with TrueRail Technology. Three main circuits — SLL, Nevy, Amok — with twelve analog modeling mechanisms tuned to the harmonic and dynamic signatures of the modeled console classes. Added with known hardware circuits – Pultey, Nevy, SLL, Amok and Maney – for EQ, Filter and all Dynamic Modules.
A master-bus stabilization limiter, not a peak-catcher. The engine holds the program coherent across its full length, so elements stay where the mix put them. Nothing jumps. Nothing drifts. The frame holds. Stereo through 9.1.6, the program lands as one statement.
Redefining what a graphic EQ can do. Sometimes, sound isn’t about balance. It’s about movement. About color that breathes, bends, and glows. P410 Joyride isn’t here to fix your mix; it’s here to make it feel alive. A journey through tone, texture, and harmonic light. Welcome to your next obsession. Tone Flux Graphic Equalizer Captures the dynamic, fluid interplay between tone, color, and harmonic motion within P410’s design. Each EQ band models an LC (inductor-capacitor) resonant circuit instead of purely RC (resistor-capacitor) network like most modern EQs. This gives it that distinctive “smooth yet weighty” tone associated with vintage passive or semi-passive equalizers.
Smasher is an unprecedented custom modification of the classic Urei 1176 compressor circuit, a unique formula that we stumbled upon while fine-tuning other algorithms. The original 1176 compressor hardware offered a selection of four ratios, but studio engineers soon discovered that pressing them all at once led to a distorted, explosive and highly compressed sound. It’s this “All buttons in” or “British” mode that Smasher was painstakingly designed to recreate. While remaining very close to the original circuitry, the modifications we’ve built into Smasher will add definition to transients and make your tone more aggressive. We love using it to enhance the ambience in drum busses, but there are many more creative uses too. Smasher won’t work on every single track, but where it does, it works magic. Smasher excels at raw and gritty sounds, calling to mind bands like Vulfpeck, The Whitefield Brothers and The Black Keys.
Commercial loudness with a character you choose, not a threshold you babysit. A time-domain A/D clipper with the stabilizing engine of P21 Atlas riding ahead of the rail. Pick a flavor, set DRIVE, listen. Three converters in spirit, near-zero latency, transients left exactly where the recording put them. Choose your stage. Same stabilizing clipper, same three flavors. The edition sets how many channels RAIL drives, and you can move from Stereo to Immersive whenever a session grows.
Getting a polished, professional drum sound used to require stacking 5+ plugins and tweaking for hours. Telos – Drums streamlines the process, so you can get radio-ready drums in a fraction of the time. No complex chains, no guesswork, just great-sounding drums in a plugin that feels effortless and inspiring to mix with.
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