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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Fire Water Air Earth REFiLLS-DiSCOVER-SYNTHiC4TE-MaGeSY

    Fire, Water, Air, Earth, REFiLLS

    DiSCOVER/SYNTHiC4TE | 19 May 2015 | 246.70 MB

    The danger and beauty of a dancing flame has made Fire a constant source of intrigue. Swarming with unique organic samples such as plucked strings, old keys, Zelda’s ocarina, distorted audio, massive synthesis, warped metal and broken glass represent heat, light and fantastic colors accompanying the unrelenting cackle of a growing inferno. These 50 distortion laced Combinator patches blaze through your speakings in sparkling 24 bit audio. This Refill utilizes Reason 6 and up. Start the sonic spark.


    Viewed 28309 By Music Producers & DJ´s.


  • Wind Swells v1.0.2 KONTAKT
    September 16th, 2024 ⚡

    Wind Swells v1.0.2 KONTAKT-MaGeSY

    Wind Swells KONTAKT

    P2P | 25 August 2024 | 4.65GB

    Movement At Your Fingertips

    Wind Swells is a collection of breathtaking performances designed to create music with movement. The library was recorded at British Grove Studios by Nick Wollage and performed by a hand-picked collective of London’s finest woodwind players. Featuring a collection of 5 core articulations which can be shaped to 5 different bar lengths, it provides the ultimate tool kit to build your own compositions and orchestrations with ease. The library features Normale, Molto Vibrato, Pulsing, Air and Flutter, which are perfect for creating anything from soft, delicate underscore to large, epic‑sounding film scores. Featuring legato and rebow control, the library offers ultimate flexibility to shape and control your sound.


    Viewed 18750 By Music Producers & DJ´s.


  • Edirol Hyper Canvas v1.6.0 VSTi DXi x86 WiN-AiR

    Edirol Hyper Canvas v1.6.0 x86 WiN

    Team AiR | xx June 2008 | 29.64 MB

    Hyper Canvas is a GM2 (General MIDI 2) compatible, high-quality, software synthesizer featuring a newly developed software synthesis engine, with 256 sounds and 9 drum sets built in. High-quality sounds from a newly developed software synthesis engine. The newly developed software synthesis engine uses 32-bit internal processing to produce high-quality sound. 96 kHz sampling rates are also supported (*1), letting you take full advantage of the performance of your audio device. High-quality reverb and chorus are also provided.


    Viewed 71240 By Music Producers & DJ´s.


  • TC8210 v2.1.0 AAX VST3 x64 WiN-R2R

    TC8210 v2.1.0 WiN

    Team R2R | 19 November 2023 | 12 MB

    Classic Mixing Reverb Plug-in with Optional Hardware Controller and Signature Presets With its clear and natural air, TC8210 is the embodiment of reverb philosophy. Ideal for Mac* and PC DAW music production, TC8210-DT’s pioneering fusion of software and optional hardware control gives you powerful reverb – with unparalleled transparent performance. The TC8210, TC2290, TC1210 and DVR250 are premium effect plugins that will take your music and sound design to the next level. Adopted by thousands of musicians and audio engineers, our family of native plugins draws on forty years of designing the ultimate effect units and are guaranteed to take your music to the next level.


    Viewed 31761 By Music Producers & DJ´s.


  • EQ3 v3.5.3 WiN-BUBBiX
    June 26th, 2024 ⚡
    Categories:

    EQ3 v3.5.3 WiN-BUBBiX-MaGeSY

    EQ3 v3.5.3 WiN

    BUBBiX | 26 June 2024 | 99 MB

    ..: AAX, VST2, VST3, x86, x64 :…

    In the ’80s it was the first to use a different approach to tonal adjustments. In conventional analog equalizers, whether they are shelving, sweepable, graphic or parametric types, various sections of the audio spectra are boosted or attenuated by adding or subtracting bandpasses. In this case, frequency shaping is achieved by summing bandpasses. Our emulation of this method is quite similar to the original and improved with additional possibilities of digital technology. Now you can hear it for yourself. There are five broad, overlapping, interacting bands: 10 (Sub), 40, 160, 650 and 2.5 кHz, along with the «rock (airy) band» control, which is an HF boost-only control. When using the EQ3, remember that the bands are broad, approximately 2 octaves. They overlap one another. For example: when boosting the 10 kHz «rock band» to a +6 position on the knob, to keep the response flat through in 2.5 kHz region you should rotate the 2.5 kHz coarse knob to about a -1 position. The amount you back off the 2.5 kHz control should, of course, be set by ear. Following this kind of procedure will accomplish a more airy sound, with much more clarity.


    Viewed 20545 By Music Producers & DJ´s.


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MaGeSY ® R-EVOLUTiON™⭐⭐⭐