MaGeSY

  • Elephant v5.2 AAX VST2 VST3 x86 x64 WiN-TCD
    January 20th, 2023 ⚡MaGeSY®
    Categories: AAX, Voxengo, VST, VST3, WiNDOWS, x64, x64, x86, x86

    Elephant v5.2 AAX VST2 VST3 x86 x64 WiN-TCD

    Elephant v5.2 WiN

    TeamCubeadooby | 22 December 2022 | 8.1 MB

    x64: VST3, VST2, AAX | x86: VST3, VST2

    Elephant is a mastering limiter plug-in for professional music production applications. The most remarkable feature of this signal limiter is its ultimate transparency. Elephant brings sound limiting and loudness maximization without any audible “pumping” effects. Elephant is a highly competitive plug-in for mastering applications: it features a variety of limiter modes that can be deeply customized, and a comprehensive set of level metering tools. Elephant’s built-in linear-phase oversampling is a new standard in quality peak limiting and loudness maximization. Elephant limiter can be used for mixing and mastering of both stereo and multi-channel music and sound material, at any standard sample rate. Elephant, also featuring a DC offset filter, and a high-quality bit-depth converter with an optional noise-shaping, allows you to finish your music and audio productions with a spark.



    Viewed 70745 By Music Producers.


    • GainAim v1.0.1 VST3 x64 WiN
      January 15th, 2023 ⚡MaGeSY®
      Categories: VST3, WiNDOWS, x64

      GainAim v1.0.1 VST3 x64 WiN

      GainAim v1.0.1 WiN

      DEMBERTO | 14 January 2023 | 7.32MB

      With GainAim you get the best all in one tool to control the loudness of your signal. GainAim has many usecases. With the different modes you can use GainAim as a vocal rider, gain matcher and more.



      Viewed 5871 By Music Producers.


      • Dynamic Loudness Explained TUTORiAL
        September 4th, 2022 ⚡MaGeSY®
        Categories: TUTORiALS

        Dynamic Loudness Explained TUTORiAL

        Dynamic Loudness Explained®

        HiDERA | 8 July 2022 | 923 MB

        Today, we have plenty of tools at our disposal now to make our music loud, but that’s not always a good thing. It’s very easy, for example, to do more harm than good to your mix if you don’t know what you’re doing. In this dynamic loudness video tutorial series, studio guru Larry Holcombe teaches you how to generate loudness in your tracks without losing the dynamics that give it so much life in the first place! You’ll learn several techniques throughout the course that you can use individually or in concert to maintain and even enhance that critical component in your tracks, even as the loudness increases. These dynamic loudness videos are for those new to the concept of loudness.



        Viewed 7404 By Music Producers.


        • Mastering Loudness Workshop TUTORiAL-FANTASTiC
          June 16th, 2022 ⚡MaGeSY®
          Categories: TUTORiALS

          Mastering Loudness Workshop TUTORiAL-FANTASTiC-MaGeSY

          Mastering Loudness Workshop

          FANTASTiC | 16 June 2022 | 790 MB

          In-depth workshop on Levels, Loudness and Stems. Learn tips and tricks for mastering with optimal loudness in the streaming era.



          Viewed 4753 By Music Producers.


          • FinalLoud 3 v3.0.16 WiN MAC-R2R
            June 3rd, 2022 ⚡MaGeSY®
            Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64, x86, x86

            FinalLoud 3 v3.0.16 WiN MAC-R2R

            FinalLoud v3.0.16 WiN

            Team R2R | 2022.04.06 | 11.59 MB

            PLATFORM: AU/VST/VST3/AAX/x86/x64

            FinalLoud 2 is a loudness and True Peak finalizer tool. It is the successor of FinalLoud. FinalLoud 2 solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud 2 combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.



            Viewed 21489 By Music Producers.


            • Maximal v2.3.0 WiN MAC LiNUX-R2R
              May 23rd, 2022 ⚡MaGeSY®
              Categories: AU, LiNUX, macOS, VST, VST3, WiNDOWS, x64, x64, x86, x86

              Maximal v2.3.0 WiN MAC LiNUX-R2R

              Maximal v2.3.0 WiN MAC LiNUX

              Team R2R | 25 April 2022 | 19.88MB

              VST • VST3 • AU • AAX

              Loudness Maximizer / Brickwall Peak Limiter

              Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.



              Viewed 12087 By Music Producers.


              • Boost v1.5.5 WiN-R2R
                October 24th, 2021 ⚡MaGeSY®
                Categories: AAX, VST3, WiNDOWS

                Boost v1.5.5 WiN-R2R

                .:Boost v1.5.5 WiN:.

                Team R2R | 24 Oct 2021 | 7.8MB

                PLATFORM: WiN64 – VST3/AAX(MODiFiED)

                Boost increases the loudness of audio material. Use it as a signal enhancer during mastering, or to reveal hidden details while mixing or creating new sounds. Set the Output Ceiling, dial in Attack and Release times, and use the main Boost dial to get anything from a gentle increase in average loudness to an all-out smashed-up signal. Boost applies transparent signal maximization for a professional sound, and thanks to the unique Focus control, you can maximize a signal upwardly, applying more gain to quieter sounds – NO CLIPPING, ever. A Drive control (plus extra Punch setting for transients) are on-hand to add energy and warmth to the signal.



                Viewed 2581 By Music Producers.





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