MH CGII v4 WiN

Team R2R | 20 March 2026 | 22MB

CGII: Make it Good & Loud!

CGII is comprised of two uniquely complementary dynamics enhancement sections, a new True Peak Limiting stage, DC blocking and dither with LUFS/true peak metering via spiffy tube filament displays, all operating at up to 16x over-sampling (or none at all – depending on your tastes). The design prioritizes musical integrity and ease of use, with the ability to add effective loudness, weight and definition without diminishing spatial depth and visceral impact the way traditional dynamics processors often do. Use CGII to make your masters loud without losing the clarity, density and heft of the original mix. Even if you are working with a mix that is already loud, you can give it a little extra, without adding unpleasant distortion and without flattening out the material and sucking the life out of the low end. At the same time you can control the true-peak level of the program to ensure that there are no inter-sample overs.

MELD v4.1.0.264 WiN

Team R2R | 20 March 2026 | 34.9 MB

PLATFORM: VST2/VST3/AAX(MODiFiED)

For three decades, John Hanes has been an instrumental force in shaping the sound of modern music from the helm of the world-renowned MixStar Studios. Through our landmark collaboration, MELD now provides unprecedented access to his expertise. We worked directly with John to deconstruct and meticulously model the modern and cutting-edge immersive workflows he has perfected at the industry’s highest level. MELD is more than a product; it’s a direct line to a master’s process.

Continuous Loudness Control & Stereo

Team R2R | 20 March 2026 | STEREO:36.43MB | CONTROL:36.40MB

PLATFORMs: STANDALONE/VST2/VST3/AAX(MODiFiED)

Continuous Loudness Control from RTW is a plugin or standalone software for automated adjustment of the loudness of audio files. It is used by home users and professionals alike who want to quickly edit unknown or long audio files in terms of volume, for example in the postproduction of live audio files, DAW audio and broadcast preparation for TV and radio. Thanks to its design as standalone software instead of just a plug-in, CLC can also be used without a host application, allowing the software to be used in third-party application environments without any additional DAW software.

APU Loudness Compressor v5.3.1 WiN MAC

Team BTCR | 17 March 2026  | 88.57 MB

The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical compressors operate using only RMS and/or Peak units of measurement. But technology has come a long way since then and we’re overdue for an upgrade.. This compressor uses modern industry standard LUFS units of measurement to provide a far more transparent response which is connected to the way humans actually experience loudness. The entire signal flow of the compressor operates within this more precise understanding of loudness. The plug-in user interface provides a more flexible alternative to traditional threshold-and-ratio style of compressor controls. Instead, source and target ranges of loudness can be configured and the compressor will either compress or expand as needed.

Loudness Contour v5.3.1 WiN MAC

Team BTCR | 17 March 2026 | 180.46 MB

Real-time equal-loudness Contour Shaping

APU Loudness Contour is a real-time equal-loudness filter that offers precise control over a wide range of perceptual loudness contours, including ISO 226 (2003 & 2023), Fletcher-Munson, K-weighting, A/C-weighting, ECMA-418, and ITU-R 468. Each contour is normalized to 0 dB at 1 kHz and includes a dedicated contour weight parameter, allowing you to scale the frequency response in both positive and negative directions. A weight of 0% results in a flat response, while negative weights invert the contour. ISO 226 and Fletcher-Munson curves support variable reference levels from 20 dB SPL to 120 dB SPL, with smooth interpolation between phon curves.

Loudness Limiter v5.3.1 WiN MAC

Team BTCR | 17 mARCH 2026 | 87.61MB

PLATFORM: AU/VST2/VST3/AAX

The APU Loudness Limiter is a real-time limiter designed to support multiple loudness types simultaneously. The limiter can be configured to use LUFS, True Peak, RMS, and/or Peak loudness types. This allows you to target multiple requirements simultaneously, such as a specific LUFS target and a specific True Peak target. Internally, the ballistics of the limiter are adjusted to accommodate the different loudness type limiter settings.

Bass Focus v1.0.4 WiN

Team R2R | 15 March 2026 | 19.6 MB

Bass Focus is a low frequency enhancer for mixing and mastering. It helps bass to sound fuller, louder and more powerful, on all speaker systems; without sacrificing headroom. And on smaller speakers, it reveals low-end which would otherwise be lost. Helping your music to sound its best, even on mobile phones and portable devices. The plugin can be used as a channel insert to enhance individual instruments, or applied to theentire mix. It can add power to 808s, solidify kick drums, thicken synths and bass guitars, and much more. At the mastering stage, it can improve mix translation and presence, thicken the low-end, and recover headroom in problem mixes with too much sub.