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Download Peak | MaGeSY ®™⭐
🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • Finis

    Finis: Peak Limiting Plugin WiN

    TEAM H2O | 03-29-2005 | 3.6 MB

    Brick-wall Limiting & Loudness Maximization

    We all know unplanned digital distortion is bad news. Use Finis to control your audio levels and prevent distortion from rearing its ugly head. And when you need to give your audio more edge, Finis helps you maximize your audio’s loudness. Even at more extreme settings, Finis can control your levels without audible distortion. Whether you just need to catch an occasional over or you want to increase the average level of your audio, Finis can tackle the job. Pick Your Poison You want to have control over the way a limiter behaves or sounds.


    Viewed 20227 By Music Producers & DJ´s.


  • dpMeterXT2 v2.0.1 WiN-R2R
    September 13th, 2021 ⚡
    Categories:

    dpMeterXT2 v2.0.1 WiN

    TEAM R2R | 20.02.2020 | 5.27 MB

    PLATFORM: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED)

    dpMeterXT2 is a loudness metering plugin and application fully compliant with the EBU R128-2014, ITU-R BS.1770-4, ATSC A/85 and several other regionspecific loudness standards. dpMeterXT2 is the sucessor of dpMeterXT. dpMeterXT2 supports multiple channel configurations, from 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities.EBUR128 It features large readouts, meters, graphs, loudness/peak prediction, measurement history and datalogging. With dpMeterXT2, you can define the measurement parameters in a very detailed way (i.a. integration time, gating levels, filter).


    Viewed 15625 By Music Producers & DJ´s.


  • How To Make Peak Time Techno TUTORiAL-SYNTHiC4TE

    How To Make Peak Time Techno

    SYNTHiC4TE | Jan 09 2021 | 3.3 GB

    Back by popular demand Techno legend is more than welcome once again here with an all-new ‘How To Make’ course where he creates a fierce Peak Time Techno banger in Ableton Live! Christian’s courses are renowned for their clever use of macros and Ableton’s rack generators, and this one is no exception. Using a single MIDI line that feeds three different instruments along with an unconventional use of two separate kicks, this is not only a music creation course but also a lesson in utilising Ableton’s capabilities to jam and have fun with your sounds! There are no rules here and this one is very much about teaching you the tools to use yourself rather than just recreating the same track again. Once you take the time to map controls and set up effects the different possibilities for your sounds are practically endless. Check it out and level up on your skillz!


    Viewed 7479 By Music Producers & DJ´s.


  • Peak Time Techno ABLETON TEMPLATE-DECiBEL

    Peak Time Techno ABLETON

    Team DECiBEL | HAPPY NEW YEAR | 351.2 MB

    Learn the rope of how to create a Peak Time Techno track! For this template we’ve been inspired heavily inspired by artist such as Joyhauser, UMEK, Spektre, Spartaque, OC & Verde and label such as Terminal M, 1605, Respekt, Codex… Discover or re-discover how powerful the Ableton stock plugin are! In this template we only have used Ableton Live Stock Plugins, from the creation of the song, to the mixing stage, and finally the mastering! You can deeply study how we create the song, from the session view to the arrangement part. In extra you can check our Youtube Channel to get more insight of the project. Indeed, the project has been created during our Livestream sessions on our Youtube Channel: ” All You Need Is Live”, you can find there the fully videos of the all process.


    Viewed 23325 By Music Producers & DJ´s.


  • Peak Time Techno Samples Pack WAV MiDi-FANTASTiC

    Peak Time Techno Samples

    FANTASTiC | 29 June 2021 | 1.08 GB

    We gave our best to deliver professional samples and loops to help you reaching the best high quality content to compete with the Top 100 Beatport Chart tracks. We’ve been inspired by artist such as UMEK, Adam Beyer, Charlotte de Witte, Cosmic Boys, Joyhauser, Amelie Lens, T78, Enrico Sangiuliano, Bart Skils and label such as Drumcode, Terminal M, 1605, Filth on Acid,… Inside you can find some huge kick drums, driving hats and ride loop and some groovy percussion loop. Everything you need to create a powerful and original dance floor hit. Along with add some cosmic synth line, hypnotic arpeggiator, cinematic synth horn sounds, crafted especially to create instant and unique banger to slam the dance floor. We included as well 15 construction kit to help you start your next masterpiece. The construction kit are basically the 15 short track you can hear in the main demo.


    Viewed 17009 By Music Producers & DJ´s.


  • Peakbuster v1.0 WiN MAC REPACK-FLARE
    June 15th, 2021 ⚡
    Categories:

    Peakbuster v1.0 WiN MAC-FLARE

    Peakbuster v1.0 WiN MAC

    Team FLARE | 15 June 2021 | WiN: 6.95 MB | MAC REPACK: 10.6 MB

    ..:: AAX, AU, VST, VST3, x86, x64 ::..

    Peakbuster is an attack-phase boosting and harmonic enhancement AU, AAX, and VST plugin for professional music and sound production applications. Peakbuster is a multi-band transient enhancer effect plug-in that uses an advanced automatic algorithm. Peakbuster stands out from the competition in its ability to always sound natural, even on a full-spectrum master bus. The strength of the effect depends on the material being processed: the algorithm masterfully analyses dynamics of the sound it processes, and applies boosting in quantities that are “exactly right”. Moreover, the algorithm has a suitably “fast” reaction time making its adjustments sound “fluid”, not “over the place”.


    Viewed 10122 By Music Producers & DJ´s.


  • DC8C Advanced Compressor v3.3.2 WiN MAC-SYNTHiC4TE

    DC8C v3.3.2 WiN MAC

    SYNTHiC4TE | June 11 2021 | 71 MB

    Advanced Compressor

    DC8C is one of the most flexible compressors around.

    While making a lot of different compression styles possible, it’s general nature may be described as: clear, smooth, open, distinct.The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost unevitable artefacts/distortion. This way you can achieve almost invisible compression for your most demanding mastering sessions, when you want to avoid coloration. If you aim for colour you can choose between two saturation models. From opto style, peak compression, RMS compression, Feedback, Feedforward compression (and everything inbetween) to negative ratios, zero latency brickwall limiting, from snappy transient treatment to smooth transient rounding – everything is possible.


    Viewed 18532 By Music Producers & DJ´s.


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