Ambi Limiter v1.0 x64 WiN

Team R2R | 28 Apr 2017 | 3.2 MB

WiN64 – VST/AAX

Ambi Limiter is a peak limiter dedicated to ambisonic signals. It allows to control precisely the output peak level, while always preserving the 3D spatial image. The plugin offers release time up to 1000 ms, and look-ahead up to 40 ms, to avoid distortion and ensure peak limiting with optimal transparency for your content. Providing input gain up to 60dB, controllable output level, and sample-accurate channel linking, Ambi Limiter is an ideal tool for level maximization of ambisonic tracks.

ML8000 Advanced Limiter v6.3.0.5 WiN

TEAM AudioUTOPiA | 10.9.2016 | 46.5 MB

AAX* / VST2 / VST3 / x86 / x64

The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment. The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.

kiloHearts Bundle AU VST WiN MAC

TEAM R2R | 2.7.2016 | WiN: 41.58 MB | OSX: 41.02 MB

Our 2015 plugin lineup is quite the package. 17 high quality, low cpu, plugins that all happen to work as snapins in conjuction with our snapin hosts (like Multipass).

Maximal v1.2.0 AU VST WiN MAC

Team R2R | 10 May 2016 | WiN: 3.1 MB | OSX: 7.2 MB

Maximal is a maximising peak limiter that allows you to get the most out of your sound. Perfect for all kinds of studio use, from mixing and mastering, to single tracks and instuments. Using a lookahead brickwall peak limiter, along with a level automater, Maximal can make some headroom, and push your sounds loud.

Multipass v1.0.0 VST2 x86 x64 WiN

Team V.R | April 25 2016 | 36 MB

Let’s go splitsies!

When adding effects to a sound, it’s not uncommon to want to apply these effects to just a certain part of the sound. For example, you might not want a complex chorus to affect your bass too much, or a hard distortion to totally fry your high end. Either way, multiband processing adds a dimension to effect chains that really opens up a new world of options in sound design. Multipass helps you with this, allowing you to split the input sound into up to 5 easily tweakable frequency bands and applying unlimited number of effects to each band. Pitch shifted auto pan with a filtered chorus delay distortion? Coming right up!

Mastering Limiter VST x86 WiN

HY2ROG3N | 22.09.2015 | 1.44 MB

The Mastering Limiter is a high end audio processing advanced peak limiter designed to maximize both the level of the digital signal and the resolution of your final rendered file. The Mastering Limiter’s lookahead peak limiter algorithm provides the mixing and mastering engineer with the capability to increase resolution and production master levels with precise control. Specifically designed for mastering, digital editing, multimedia, and any application that requires limiting of the digital signal with highest quality; the Mastering Limiter is perfect addition to your mixing and mastering tool set. In order to ensure the maximum possible resolution of a processed signal, it is very highly recommended that the Mastering Limiter be used last in the processing chain.

UAD 1176 Limiter Collection Explained TUTORiAL

Team MATRiX | March 14 2015 | 235.04 MB

THE NO LIMIT LIMITER

There is no classic limiter like the UREI/Teletronix/Universal Audio 1176, and no studio expert to explain the Universal Audio UAD 1176 limiter collection to you like Brock Jon! Beginning with a historical look at why the 1176 series limiters are so coveted by audio pros worldwide, Brock gives you an overview of the three emulations in this collection. Next, he dives right into how to set the input and output of the emulations using the vintage style VU meters. After that, Brock explores the rest of the main controls of the 1176 including the Attack, Release, and Ratio Controls, as well as the infamous “All-Buttons” Mode. Moving on, Brock gets into practical applications of the 1176 limiter collection. Using copious audio examples, he shows you how to apply the different 1176 emulations to Drums, Guitars, and Vocals, and even shows you how to build the classic vocal chain: the UAD 1176 emulation into a UAD LA-2A emulation. Finally, he applies the Fairchild Compressor to the Master Buss.