LVCA Plugins Pack 2015.12 WiN MAC
Team R2R/KLEEN/DDP | Dec 03 2015 | WiN: 58.1 MB | MAC: 188 MB
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Sidechain Compressor is a flexible VST/AU compressor plug-in. It can be used as a regular channel strip compressor for clean crisp compression & limiting across a wide range of mixing jobs (e.g. adding punch to drum tracks or presence to vocals). For additional flexibility, the sidechain controls (Lo Cut/Hi Cut/Shape) let you customise the compression response. However, Sidechain Compressor’s real party trick is its Universal Sidechain section. This lets you easily do vocal ducking (standard vocal processing in radio production, to fade out music when a narrator is speaking) or add synchronised ducking effects to dance mixes (making your whole mix “pump” or “breathe” by following a kick drum). Universal Sidechains work in most multi-track applications, even those that do not directly support side-chaining. It only takes a few mouse clicks and you’re up and running!
Sidechain Gate lets you perform clever mixing techniques, by using a source track to gate a destination track. For example, you can use a complex hi-hat pattern in one track to rhythmically gate a synth pad in another track. Or simplify a busy bass guitar by gating it from a kick drum track (so the bass guitar is only heard when the kick drum sounds). Sidechain Gate also performs brilliantly as a conventional insert effect. The EQ and Shape controls allow you to intelligently gate problem recordings. Say you want to clean up a noisy recording of a snare drum, which has some bleed-through from a crash cymbal. Simply use the Hi Cut control to filter out the higher frequencies, and then the gate will only open when the snare is hit.
SignalScope Pro 3 builds on SignalScope’s tradition of award-winning design and precision measurement capabilities by building on advanced technology developed for Faber Acoustical’s flagship product, Electroacoustics Toolbox. SignalScope Pro is a modularized, multi-channel dynamic signal analyzer and data acquisition platform for Mac. It brings powerful tools to the Macintosh platform for multi-channel, audio-band data acquisition and real-time analysis of electrical, acoustical, and electroacoustic signals and systems. It enables precise measurements of acoustic quantities, such as equivalent and time-weighted sound levels, as well as acoustic and electroacoustic systems. The software is designed to work with any Mac-compatible audio hardware and supports multiple channels of 8, 16, 24, or 32-bit data with sample rates as high as the hardware will support.
REAPER is a complete digital audio production application for Windows and OS X, offering a full multitrack audio and MIDI recording, editing, processing, mixing and mastering toolset. REAPER supports a vast range of hardware, digital formats and plugins, and can be comprehensively extended, scripted and modified.
n-Track Studio 9 – A recording studio in your computer. Introducing n-Track Studio 9. Studio quality recording, editing and mixing software. n-Track Studio brings you professional audio quality and easy workflow.
Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.