SDRR 2 v2.4.1 WiN MAC

P2P | 30 May 2022 | 43.09 MB

AAX, AU, VST, VST3, RTAS, x86, x64

The Saturation Chameleon

SDRR was build to satisfy almost all of your saturation desires. It provides a comprehensive set of controls to manipulate the character of the saturation to make it fit exactly. SDRR offers four different main modes: TUBE, DIGI, FUZZ, DESK and reacts dynamically to the input signal. Each mode has it’s unique crosstalk behaviour, which can be switched of or exagerrated. A unique RMS level difference metering mode makes level matching an easy task. SDRR can be different things: a saturation, a compressor, an EQ, a bitcrusher, a subtle stereo widener, or simply add some movement to your tracks with the DRIFT control. Add warmth, depth and character to your tracks with SDRR.

EVE2 v2.51 AU VSTi WiN MAC

TEAM ASSiGN | 15 JANUARY 2010 | WiN+MAC: 673MB

What’s EVE? EVE stands for Electronic Vintage Ensemble, which suggests the design philosophy behind the instrument. EVE was made to recreate in the virtual world of softsynths the exciting and immediate experience of the early age of electronics in pop, rock and jazz music from the 1960’s and 1970’s. During this creative period in music history, many musicians started to employ the innovative sounds of the ‘electric keyboards’ which were newly available for use on stage and in the studio: Rhodes electric pianos, Hammond and Vox organs, Hohner clavinets, strings machines such as the Arp Solina string ensemble, Moog synthesizers, and all those that are now considered ‘classics’. It was not only keyboards that were a part of this revolution in popular music: the use of effects and recording techniques for layering, blending and manipulating sounds transformed the way music was produced and conceptualized. Tape based delay lines, rotating speaker cabinets, guitar distortion pedals, wah wah, phasing, flanging and other effects became an integral part of the process of sound design.

Amplifikation Clarent v1.0.0 WiN

Team R2R | 13 Jan 2021 | 443MB

PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX(MODiFiED)

3rd gen Tube Simulation technology following the much hyped Amplifikation Caliburn and Matchlock. Amplifikation Clarent is inspired by Orange* amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists. There are no other guitar amplifiers other than Orange Amplifiers* whose looks and presence is as unique as its sounds. Instantly recognizable by its bright colorful appearance, delivering thunderous crunchy tone used by world class acts such as Fleetwood Mac*, The Black Crowes*, Oasis*, Mastodon*, High on Fire*, Slipknot*, Orianthi*, Deftones*, Korn*, and many others!

DeeQ v1.2.0 WiN MAC

Team R2R | 25 April 2022 | 16.52 MB

VST • VST3 • AU • AAX

DeeQ is a single-band dynamic EQ filter that automatically adjusts the parameters of the EQ based on the incoming envelope or an external sidechain.

Maximal v2.3.0 WiN MAC LiNUX

Team R2R | 25 April 2022 | 19.88MB

VST • VST3 • AU • AAX

Loudness Maximizer / Brickwall Peak Limiter

Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.

AdrenaLinn Sync v2.0.3 WiN MAC

TEAM R2R | 2015.04.24 | WiN: 13.15 MB | MAC: 17.13 MB

.:AU, VST, UB, RTAS:.

AdrenaLinn Sync is a software plug-in from Roger Linn Design that provides the same unique beat-synced filter modulation and sequencing effects of our AdrenaLinn III guitar pedal, plus quite a bit more. Though intended for guitar, it adds fascinating rhythmic tonal effects to any instrument or processed audio. First released in October of 2009, we listened to your feedback and are now releasing AdrenaLinn Sync Version 2, a dramatic improvement over the original. And it’s free to all purchasers of the original version. AdrenaLinn Sync Version 2 is written in conjunction with Way Out Ware, makers of TimeWArp2600 and KikAxxe, critically-acclaimed emulations of vintage Arp analog synthesizers. Version 2 is completely rewritten and takes advantage of Way Out Ware’s flawless analog-modeled filters and audio processing technology, resulting in a very wide variety of truly exciting, unique and inspiring sounds.

Valsier v1.0.1 VSTi WiN

Peace-Out | 03.03.2009 | 9.6 MB

Introducing BTC Audio’s maiden product, Valsier. Offering a simple to learn interface, yet devastatingly large sounds, Valsier can take your bass tracks to the next level. Despite it’s simple appearance, Valsier is capable of creating monstrous basslines suitable for a wide range of electronic music. With separate drive units routed directly after the oscillators, the filters come screaming to life, whilst the dedicated sub keeps the overall tone warm and deep. The two multi-stage graphical envelopes (one for amplitude, the other for the second filter) as well as the step sequenced filter LFO allow you to create wildly varying sounds with plenty of dynamic.