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  • ViP v3.1.1 AAX VSTi STANDALONE WiN-R2R
    March 13th, 2024 ⚡
    Categories: AAX, Akai, VST, VSTi, WiNDOWS, x64, x64

    Vip V3.1.1 Aax Vsti Standalone Win R2r Magesy

    ViP v3.1.1 WiN

    Team R2R | 07 November 2023 | 2.16 GB

    …: AAX, VSTi, VST,  STANDALONE :…

    VIP is a ground-breaking, award-winning music software platform that provides musicians and composers with a total-control solution for their virtual instrument and virtual effect collection. VIP provides you with unparalleled access to your virtual instrument and effect collection, seamlessly integrating the hardware / software experience and grants the unrestricted freedom to create in a user-friendly, intuitive format. The combination of VIP and a compatible keyboard controller maximises workflow and ensures a playing experience that feels natural and enhances creativity – the natural, tactile feel of hardware, now fused with the unrivalled processing capability of virtual Instruments.



    Viewed 46052 By Music Producers.


    • Elevayta Space Boy v5.04 VST x86 WiN-ViP
      June 13th, 2022 ⚡
      Categories: Elevayta, VST, WiNDOWS, x86

      Elevayta Space Boy v5.04 VST x86 WiN-ViP

      Space Boy v5.04 VST WiN

      TEAM ViP | January, 2011 | v5.04: 4.29 MB

      TEAM AMPLiFY | 12.07.2007 | v4.90d: 4.46 MB

      What do you need to do when you have two audio sources, with similar spectral content, and you would like to mix them in a balanced way so that each of the individual parts can be heard? Normally you may spend hours fiddling with the EQ of each source to find the dominant spectral components. Having done this you then need to tweak each EQ until a suitable balance is reached. All the time being sure that a constant volume is achieved. Using the similar, innovative, communicating plug-in technology used in Clone Boy, Space Boy makes it possible to perform this, normally complex, EQ process in a matter of minutes using just a few sliders. Space Boy, as the name suggests, provides the means to analyse, in real-time, the spectrum of one audio source and make a ‘space’ in the spectrum of another (target) audio source. Not only this, but the ever changing relationship between the different EQs of each source is automatically accommodated in real-time. This means that EQ adjustments are made only when needed.



      Viewed 25269 By Music Producers.


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