Punisher v2.0.0 WiN MAC

SYNTHiC4TE | May 24 2021 | 14 MB

VST2/VST3/AU/AAX/x86/x64

Punisher is tape-style saturator with a unique way to control the coloration of the drive effect. You can use it to add flavour and character to synths, vocals and drums, or to entire beats or mixes. Most saturator plugins have very limited features for affecting the coloration of the drive effect. Punisher uses a unique internal push/pull equalizer curve to tailor your saturation effect to your track. This way you can, for example, only target the high end of a drum beat, preserving the kick transients in a very natural way. Or only target the mid range of a synth to retain its definition. Punisher is part of the upcoming denise ‘God Mode’ plugin, that allows full control over the internal push/pull equalizer curve and a blend of three different distortion types.

Slappy v2.0.0 WiN MAC

SYNTHiC4TE | May 24 2021 | 11 MB

VST2/VST3/AU/AAX/x86/x64

Slappy is a hysteresis saturated slapback delay for a great sound and quick results. You can use it for creating that classic slapback effect on guitar, vocals and drums. Regular digital saturation can sound harsh in the high end. Our hysteresis saturation, as used in our Bad Tape plugin as well, uses a smoothing algorithm that creates a warm and analog sound known from vintage tape machines.

Noize Retro v2.0.0 WiN MAC

SYNTHiC4TE | May 24 2021 | 8 MB

VST2/VST3/AU/AAX/x86/x64

Generate vintage noise that adapts to the volume of your track, in real time. Noize Retro is part of denise’s adaptive Noize series. Learn more about the God Mode with sample editor and eight different noise types.

808 Massacre v3 WiN MAC

FANTASTiC | Nov 25 2016 | 562 MB

You heard 808 Massacre V1 and V2 but now we bring V3 . The angry older brother of the 808 Massacre Line of 808s. Bringing producers some of the most unique 808s in the game. These 808s were meticulously crafted with the urban producer in mind. If you want 808s that shake the house then you came to the right place. Just load up 808 Massacre V3 and your ready to produce your next hit. NO EQ NESSASARY. Everything you hear has been prepared so that you can instantly create without having to eq or compress, or add any other fx to make them sound great.

Defacer v1.0 WiN MAC RETAiL

P2P | 27.05.2019 | 26.4 MB

…::: AAX, AU, VST2, VST3, x86, x64 :::…

Defacer is an all-purpose 2 channel audio mangler designed to destroy and rearrange any sound you throw at it. Use it to make guitars sound like a broken synth or add a touch of robot-ness to vocals, when the sound calls for it, Defacer is there! Featuring low-pass filters & distortions on each channel you are free to destroy audio to your heart’s content. Try it on all kinds of sources!

ACiD Pro Next Suite v1.0.3.26 WiN

TEAM R2R| 27 September 2019 | x86+x64: 953 MB | CONTENT: 17.57 GB

…::: Include EMULATOR :::…

The ultimate, next-level DAW experience. ACID Pro Next Suite has it all, whatever your music production requires. All features from ACID Pro Next. More new instrument, effects and sounds. Experience audio separation powered by zynaptiq® STEM MAKER – not found in any other DAW – and the MIDI Playable Chopper remix tool. And of course all the great new technologies, including Melodyne essential and the 32-bit VST bridge.

MAATgo v1.0.2 WiN

Team R2R | 14 Mar 2021 | 8.5MB

PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX

A universal monitor controller and visualization plug-in for computer audiophiles. If music is your profession, your passion or both, MAATgo is for you. MAATgo is explicitly built for everyone who listens to HRA (High Resolution Audio) files and streams on their computer. In the Golden Age of consumer hi–fi, some preamplifiers had not only a “balance” knob, but stereo/mono blend controls and even an oscilloscope to instantaneously display amplitude, frequency and the phase relationship between left and right channels. Marantz, Panasonic, Pioneer and SAE sometimes included an oscilloscope in their receivers, while the Apt Corporation’s legendary and groundbreaking Holman Preamplifier had a range of channel re–routing switches and a continuous stereo/mono blend control. This was not “feature creep,” needless features just to fill out a list. The Apt’s re–patching and intermix controls served a very useful purpose.