Complete v9 11.04.2018 WiN
P2P | 14 April 2018 | 10.1 GB
VST/VSTi/VST3/RTAS/AAX/x86/x64
Viewed 11557 By Music Producers & DJ´s.
Songwriting made easy!
EZkeys is a revolutionary plugin and stand alone instrument that combines a world-class piano player, songwriting partner, arranger and a meticulously sampled grand piano – all in one package. Developed with Toontrack Music’s forward thinking approach to music composition, EZkeys will aside from deliver breathtakingly rich tonal qualities also allow the user unlimited creativity through its groundbreaking functionality.
Avid Sibelius 8 is the world’s best-selling music notation software. Its sophisticated, yet easy-to-tools are trusted by composers, arrangers, publishers, educators and students alike. The latest Sibelius allow you to access this incredible software in more affordable ways than ever before. Now you can compose with a low-cost subscription, or own the software outright.
FinalLoud, a tool that helps you reach the target volume of any audio material while maintaining given True Peak values. FinalLoud solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.
dpMeterXT is a loudness metering plugin and application fully compliant with the EBU R128, ITU-R BS.1770/1771, ATSC A/85 and several other regionspecific loudness standards. dPMeterXT supports multiple channel configurations, from 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities. It features large readouts, meters, graphs, measurement history anddatalogging. With dpMeterXT, you can define the measurement parameters in a very detailed way (i.a. integration time, gating levels, filter).
Stage – a plugin that uses trailblazing stereo-spatial processing methods to take good mixes and masters, and make them great. And The Stage Is Set! Simply put, stage is here to give your mixes that final shine and depth you’ve heard on countless records, drawing out an inherent character you might not have even known your sounds possessed. By leveraging subtle delays, internal phase augmentation and modulation techniques, you can now effortlessly emphasize the natural depth and space of any natural recording or synthesized element. The result is an increase in overall definition and perceived size – all elusive qualities that in the end contribute to a type of sonic weight that will quickly become indispensable to your audio toolkit. And just how is this possible? Under stage’s hood are mighty psychoacoustic algorithms that power the innovative panning and stereo alteration controls, giving engineers, sound designers, and electronic musicians the ability to sculpt their stereo image with minimal effort and maximum precision. Arrange your tracks from left to right, front to back or even diagonally if you like; enhance the ambience of your masters or go for wildly modulated effects. stage can do it all!
What is the DSM V2 plugin? The DSM V2 will capture both, the frequency-domain and the dynamic characteristics of even the most complex audio material. This “capture” can then be used in its original form (or even be altered using the Parametric Threshold EQ) to control the dynamics of the audio material and increase the loudness. Thats if you use the DSM V2 plugin as a mastering limiter. In fact it can do much more than this. It can serve as a great de-esser, vocal enhancer and compressor, and it can add some nice magic to your audio. This unique feature uses ground breaking adaptive techniques to capture both the frequency-domain and dynamic characteristics of audio program, and uses this as the basis for a highly developed large scale multiband compression process. This means that it can sympathetically handle programme over a very wide dynamic range without many of the usual compression artefacts, coping even with large-scale percussive events which badly confound conventional compressors.
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