Split your grooves and extract previously unreachable sound elements! Regroover is an Artificial-Intelligence beat machine that extends traditional music sampling. Extract inspiring samples from your Layers, drag them into the kit Editor, combine them with external sounds and create inspiring Expansion Kits.
ENSO, An architecturally unique and sonically characterful looping toolkit for producers and live performers, inspired by both modern looper pedals and vintage tape-based setups, Enso combines elegant and intuitive UI design with a deep but accessible feature set and stellar sound quality. Enso’s operation will be immediately familiar to users of hardware looper pedals or plugins such as Ableton Live’s bundled Looper. Start playback of the host DAW, hit Enso’s record button and capture your instrumental performance into a loop of whatever length you like, up to ten minutes (five minutes on iOS). Then, without stopping playback, overdub further passes to create layered grooves, complex harmonic textures, or dense, evolving soundscapes.
AB_LM is a gain control which enables level matched and sample accurate AB comparison of FX chains. Plugin (FX) or even a complex FX chain to the sound. Most DAWs can easily enable/disable (AB) single plugins or even whole FX chains, but in most case there is an audible loudness difference between both cases. In order to compare the impact of a plugin chain objectively the loudness of the incoming signal should match with the loudness of outgoing signal. Comparing the plugin effect at equal loudness levels avoids the “louder is better” – pitfall.
Many producers are moving towards mixing and mastering within loudness specs set internally or by major streaming and broadcasting platforms for quality assurance. BUTE Loudness Analyser 2 provides accurate loudness metering data on a bute-iful graphical user interface and highlights areas that are non-compliant with a preset or user-input specification. This helps optimise the quality of mixes and masters, while avoiding potential distortions downstream..
Together with Mondstein Records we started to build a simple delay with Ducking. This feature allows you to add loud echos without losing the presence of the source signal. Use it e.g. to avoid an articulation loss. Then we found all the other useful features including the “rhythm preserving ping-pong” which obviously has never been realised before. Also apparently no other delay plug-in even offers an EQ for the delayed material. So in the end DuckDelay became this outstanding delay plugin. Probably the best you can get actually.
Messiah design is inspired by Prophet5. Messiah 2.1. It will perform well both as a live and studio instrument. It responds well to aftertouch and the mod wheel is very important when playing the Messiah synth. It has low cpu and expanded arpeggiator section that makes it a great production tool.
Since its release, Sandman has wowed mix engineers, sound designers and DJs alike with its slice-and-dice genius. A delay plugin with a severe narcoleptic bent, Sandman uses its Sleep mode to freeze its delay buffer to create stunning loops and grains that can be re-pitched, down-sampled, played in reverse, dirtied with noise and modulated — transforming and mutating sounds beyond all recognition! Using very short delay times, the shape-shifting Sandman alternately becomes a flanger, stutter generator, wavetable synthesizer or percussion resonator. But Sandman also excels at producing traditional echo and stereo ping-pong effects, providing delay times ranging from slapback to longer than a coffee break.
