THINGS allows you to create hi-quality synth sounds even if you have zero experience in synthesis. We’ve implemented what we called “Descriptors” which are objects and ideas that will help you understand the effect of a knob and the kind of sound it will produce.
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Discord4 is the latest version of our most popular and long-lived product, our Discord stereo pitch shifter. Originally modeled from the H910, Discord has long since become its own effect and a studio standby, and this version includes major additions to further stretch its capabilities. The pitch-shifter consists of three separate algorithms: a “vintage” mode (the original Discord algorithm, modeled on the Eventide H910 and H949), a “clean” mode for more modern shifting sounds, and a “granular” mode for experimental effects. Each mode has its strengths, depending on the input material, and Discord3 has a broad palette of capabilities as a result. The P1 and P2 algorithms have full control over the buffer (window) size of the shift effect, for fine tuning the shift to the input signal, or for stranger sound effects. At the extremes of the six-octave shift range, some truly strange aliasing and artifacts can be had with this control.
Straightliner is a straight-lined and modern approach to subtractive synthesis. Instead of trying to faithfully emulate old analog synthesizers with all their physically imposed limitations, Straightliner takes full advantage of the extended possibilities that software based synthesis offers: the oscillators support loading of arbitrary (single cycle) audio files. Flexible modulation generators, which allow to define an arbitrary number of breakpoints, are available for pitch, filter-frequency and amplitude. The filter has a lot of different modes, among them the usual suspects like lowpass, highpass, bandpass and a sophisticated Moog-filter model. The whole signal path is laid out in stereo which allows for big and enveloping sounds even without any effects. The user interface of the synth focuses on visual editors instead of the commonly seen hardware oriented interfaces.
Ubergate is a multi-fx plugin comprising of a pattern based gate and two effect chains. Each effect chain features delay, filter with LFO, modulation (chorus/flanger/phaser) and 3-band EQ with Drive. Delay time and filter / pan LFO can be tempo synced or free running. Delay tempo sync includes dotted settings and double time settings. Each filter features lowpass, highpass and bandpass modes, with LFO to cutoff control. Each effect chain has individual volume and pan controls, with independant LFO to pan controls. 128 presets, grouped by application. Ubergate will “Trance-up” your synth parts, “Spice-up” your drum beats, “Freak-out” your vocal tracks, “Warp-out” your guitar riffs, “tweak” your FX — AND SO MUCH MORE!
Audio Damage’s first instrument, Tattoo, is a drum synthesizer where everything old is new again. Featuring 12 independent “voice-tuned” synthesizer topologies loosely based on the X0X series, and an incredibly sophisticated step/mod sequencer, Tattoo is at home in all forms of electronic music production.
Bass Vitalizer: Knorr is a plugin that adds intensity and edge to a monophonic low frequency audio source (like a bass). The algorithm adds overtones to an existing sound in a way that isn’t possible with ordinary distortion or filtering. The Knorr Algorithm: The underlying algorithm uses a combination of filtering, amplitude- and frequency modulation to process incoming audio. Knorr is developed with bass sounds in mind, but can be used on any monophonic sound source as long as there is audio content available in the low mids (and below).
