Drums Overkill HYBRiD

TEAM DYNAMiCS | 23 February 2007 | 2.07 GB

VSTi, DXi, RTAS, AU/WiN/MAC

More than 27000 various DRUM & PERCUSSION sounds: 10000 samples assigned to 1200 drum kits for all musical styles, 5400 original drum machine samples, 3800 bass drums, 4100 snare drums & rim shots, 750 claps & snaps, 480 toms, 1600 hi-hats, 300 cymbals, 670 analogue synth drums & electronic percussion, 340 mixed special effects, 1500 percussion instruments from “around the world”.

Beats Working in Cuba VSTi

Team AI/CoBaLT | 05 August 2005 | DiSK1: 4.46 GB | DiSK2: 4.23 GB

This is the ultimate Cuban percussion virtual instrument. BEATS WORKING 5.1-ready drum sample library recorded at Abbey Road Studios, London) are proud to present the first complete and utterly authentic library of Latin percussion performances recorded entirely in Havana, Cuba, featuring the country’s very finest players, and presented in multitrack format to provide the user with complete flexibility in both tempo and the selection of instruments.

Elastik Player v3.6.x WiN MAC

R2R | 18.10.2024 | NEW! v3.6.3: WiN: 55MB | v3.6.0: OSX: 60MB

..:: AU, STANDALONE, VSTi, RTAS, x86, x64 ::..

Elastik 3 is the most powerful sample player that we have ever created. It provides a complete toolkit for modern music producers working with audio loops. Loops can be an essential part of many musicians creative process and, with Elastik, you get a fast, efficient and flexible set of tools.

E.O.P WiN MAC

TEAM AiRISO | 06/2009 | D1: 4.06GB | D2: 7.88GB | D3: 7.88GB

Elite Orchestral Percussion features a number of cutting-edge techniques to maximize and enhance the playability of the library, including a randomization engine which utilizes a variety of advanced techniques to maximize realism. A full performance view is available in all instruments, enabling instant triggering and programming of various common percussion articulations such as flams, 3-stroke ruffs, chokes, rolls, and realistic rhythmic pattern generators.

MB-7 Mixer 3 v3.60 WiN MAC

Team R2R | 12 September 2024 | WiN: 66.7MB | MAC: 618.9MB

WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks. Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the “stereoness” and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility. The plug-in can also operate as a multiband VST and Audio Unit host: you can process each band independently with your favorite VST or Audio Unit plug-ins! Up to four plug-ins can be loaded on each band, pre or post fader. Latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also proposes unique linking and grouping options thanks to our multi-instances technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several

VisLM v2.xx WiN MAC

Team R2R | 09 September 2024| WiN: 8.9 MB | OSX: 80 MB

WiN64: VST/VST3/RTAS/AAX | MAC: AU/VST/VST3/RTAS/AAX

The most fundamental question in audio production, how loud is it? Simple and yet elusive, with loudness inconsistency and incompatibilities present every day in broadcasts across the world. With detailed, objective loudness measurement, history and logging facilities, VisLM provides a simple, ITU, ATSC and EBU standard compliant* way to measure, compare and contrast loudness during production, broadcast and post production, on the fly or for entire sections of audio.

ISL 2 v2.x.x.x WiN MAC

TEAM R2R | 09.09.2024 | WiN: 6 MB | OSX: 50.7 MB

..: AU, VST, VST3, RTAS, AAX :..

Real Time True Peak Limiter

World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL delivers both, giving you superb sound with complete confidence about meeting the standards. No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest.