Big Beautiful Door is like no other dynamics processor. It takes a completely fresh approach to EQ and dynamics, and packages it in a way that just makes sense.
M4 Multiband Compressor is designed to be the ultimate mixing and mastering tool. This compressor has 3 user-controlled crossovers resulting in 4 bands that can be as wide or as narrow as you desire. The unique display for M4 shows all of 4 bands together, each with a specialty meter to show threshold, peak level, and gain reduction for the respective band in realtime. All 4 bands are completely in your control by allowing attack time, release time, threshold, ratio, and makeup gain to be set. M4 also has optional auto-makeup gain as well as internal bypass. M4 can handle anything from subtle peak control to bus compression, and even mastering. This powerful multiband compressor should feel at home in any producer’s arsenal. If you don’t believe us, check out the sound examples. Or better yet, download the demo and give it a try!
Entropy II, like it’s predecessor, is a stereo crossover delay but with several features that will help take your recordings to the next level! Entropy II comes with many new features that will allow you to truly express your creative vision. Choose between milliseconds delay mode when you want to dial in a precise amount of delay, or tempo sync mode when you need your track to take on a completely different form. Entropy’s unique delay algorithm is bound to make your tracks bounce with ambience and excitement.
Introducing the ultimate mastering tool. Ranked #3 in the top 7 multiband compressors by Integraudio. This versatile mastering compressor can handle even the most dynamic of tracks. Convergence features up to 10 bands of compression and as low as 2 bands. Does your track only need a 4 band compressor? No problem! It is trivial to add or remove bands and to adjust the crossover frequencies for them.
Flare is a spectral ensemble effect based on the bucket-brigade delay line. It combines a waveshaper, multi-tap delay and tremolo into a simple musical tool with a ton of features under the hood. Dial in a dreamy chorus reminiscent of classic string machines, a Chebyshev style waveshaping distortion, auto-tremolo, spectral blurring and more. The first processing stage is routed through a Chebyshev waveshaper that creates rich harmonics and distortion. Post-waveshaper, the affected signal can be easily tapered with SWEEP – a filter modeled after the Moog diode lowpass. The audio signal’s adventures have only started though! Next begins the time and space warp paradigm. DEPTH controls a bucket-brigade ensemble effect while BLUR brings smearing across the spectral domain. Space and acousmatic modulators also include REVOLVE, DELAY and SHAKE – panning, echo and tremolo effects, respectively. Flare can do a lot of things with minimal UI controls. Tap into its versatility and pull musical things out of your sounds that you never knew were there.
Swarm is a sound design effect inspired by “swarm intelligence” and “particle masses” such as those employed by composer Iannis Xenakis. It clones a segment of a sample and puts those members into a “flock” that disperses in unified – sometimes stochastic – coordination. Swarm excels in creating dense pizzicato clouds or spacey, randomized ambiences. It is a very unconventional effect with unpredictable and oftentimes wonderous results. With some experimenting, sound designers should become acquainted with the character of Swarm and how it can best be utilized in their productions.
Vanisher is a granular audio processor and spatial effect that blurs the lines between the cosmic and the worldly. It takes any sound you feed it, chops it up into microscopic particles and re-configures it in time and space. You can create phase-induced 3D audio effects, granular blurring, glitching and much more.
