Gold Trigger v1.0.0 WiN MAC

Team DECiBEL | 27 Feb 2020 | MAC: 39.5 MB | WiN: 27.1 MB

‘Gold Trigger VST’ is an individual 808 plugin especially written for this product.

Beats Drum v2.6 WiN MAC

Team DECiBEL | 18 Feb 2020 | 3.82 GB

Beats Drum VST, Au, and Kontakt sample library was created by sampling 3 drum kits and 14 different snares using different combinations of drum heads and tunings in an acoustically dead environment. The end result is a large drum sample library with interchangeable parts that sounds great no matter the combination. The various kits and drums were sampled utilyzing the Glyn Johns method. Drum overheads were a pair of Shure SM81’s, bass drums were recorded through an Audix D6, and snare drums were captured with a Shure SM 57, with various spot mics used to beef up the sound of the toms when needed.

Electric Bass v1.3 WiN MAC

Team DECiBEL | 19 Feb 2020 | WiN: 3.6 GB | MAC: 4.04 GB

…::: AAX, AU, VSTi, x86 ,x64 :::…

Electric Bass was sampled from a Yamaha BB424x electric bass guitar. The bass was modified so that individual pickups were wired to independent jacks, thus allowing for independent sampling of the bridge and neck pickups. Volume and tone pots were bypassed, so resistors were wired in their place to minimize the “ice pick” sound of an electric bass without pots. The pickups were then run into individual Radial 48 active direct boxes and Grace 101 preamps, which provided additional gain. Sampling began by recording with the target of 4 velocity layers with 5 note round-robin. The strings of the bass were kept relatively bright and fresh. Nearly the entire bass was sampled in this manner, but the results were unsatisfactory, so the bass was re-sampled from the beginning with 10 velocity layers, 4-note round robin, and mellow strings.

Wurlitzer v2.5 WiN MAC

Team DECiBEL | 16 Feb 2021 | ~10 GB

…::: AU, AAX, VSTi :::…

Wurlitzer virtual instrument plugin was sampled from an “early model” 1970’s Wurlitzer 200A electronic piano. The process began by close-miking the piano with Beyerdynamic MC930 condenser microphones on the Wurlitzer’s built-in speakers, and an AEA R84 Ribbon Mic on the line-out signal through a Fender Deluxe Reverb Amp. These signals were fed into Grace M101 and AEA TRP Preamps respectively. The wurlitzer’s amplifier and preamp were re-capped in an attempt to save the amplifier, but about half way through the sampling process the amplifier died, which eventually killed the power transformer. The preamp, amp, and power transformer were all replaced and sampling continued. Well sampling the bass notes, it became apparent that the Wurlitzer’s built in speakers also needed to be replaced.

Studio Player v1.2.2 macOS

CODESHiNE | 17 August 2020 | 1.51 GB

STANDALONE/AU/VSTi/VST3

Studio Player is the central plug-in for ROLI sounds, allowing you to explore and tweak sounds from ROLI and FXpansion’s flagship synths Equator, Strobe2 and Cypher2, and provides direct hardware integration for the Lightpad Block and Live Block, allowing you to get hands-on with modulation within ROLI Studio Player. ROLI Studio Player features macro controls, Smart Chords, a multi-layered Arpeggiator and Audio Effects, allowing you to customise and modulate sounds in ways that were not previously possible.

Flux Full Packv2.0 OSX iNTEL

Team: XVX | 04.29.2010 |  57.11 MB

Full Pack II – The complete set of Flux: plug-ins.

Alchemist aiming at professional mastering and re-mastering applications, the intricate design of Alchemist suggests a superior workflow and sound perfection within the field of dynamics processing, well adapted for the high demands of today’s pro-audio industry. Alchemist presents the option to operate as a single broadband processor as well as a multiband processor providing up to five individual bands, with the possibility to process up to eight channels simultaneously when inserted on a multi-channel (surround) bus.

Stage v1.1.0 macOS

macOS | 20 February 2021 | 71.6 MB

Stage – a plugin that uses trailblazing stereo-spatial processing methods to take good mixes and masters, and make them great. And The Stage Is Set! Simply put, stage is here to give your mixes that final shine and depth you’ve heard on countless records, drawing out an inherent character you might not have even known your sounds possessed. By leveraging subtle delays, internal phase augmentation and modulation techniques, you can now effortlessly emphasize the natural depth and space of any natural recording or synthesized element. The result is an increase in overall definition and perceived size – all elusive qualities that in the end contribute to a type of sonic weight that will quickly become indispensable to your audio toolkit. And just how is this possible? Under stage’s hood are mighty psychoacoustic algorithms that power the innovative panning and stereo alteration controls, giving engineers, sound designers, and electronic musicians the ability to sculpt their stereo image with minimal effort and maximum precision. Arrange your tracks from left to right, front to back or even diagonally if you like; enhance the ambience of your masters or go for wildly modulated effects. stage can do it all!