Poseidon v1.1.0 WiN
Team R2R | 25 October 2024 | 23.6 MB
A wild EQ modeled after a rare and mythic console turned into an easy-to-use modern tool.
Viewed 20394 By Music Producers & DJ´s.
A wild EQ modeled after a rare and mythic console turned into an easy-to-use modern tool.
TENS has been physically modeled after the range of high end studio spring reverberation units introduced by a famous Austrian company from the early 1970s to early 1980s. As opposed to classic spring reverbs found in guitar amps, these units were based on the company’s own patented proprietary design principle, which allowed various connected spring elements of different lengths and wire diameter to vibrate inside a small isolated space. The spring elements were manipulated in various ways, e.g. by etching the wire surface and deforming individual turns of the coil wire resulting in a highly diffused, and very dense reverb, that didn’t expose the boing/chirping artifacts associated with spring reverbs and brought it much closer to the sound of plate reverbs. This range of reverbs is praised for its incredibly deep, organic, complex, rich, smooth and floating character. In terms of sound (but of course not technically) it can been seen as the missing link between classic spring and plate reverbs. A very unique beast indeed!
Echoes T7E is a faithful recreation of a vintage tube magnetic echo made in Italy in the early ‘60s. This echo effect unit is based on a magnetic spinning drum with both record and playback heads arranged around a recording wire wound around the drum circumference. This solution provides better stability over the usual tape transport with reduced wow and flutter. Since the main “core” of this effect is based on the above mechanism, we modelled both the mechanics and the electronics. Echoes T7E also provides 3 different playback modes allowing you to set different spinning speed or ever synchronize it to your host tempo extending the original delay length from ~310ms up to ~1100ms.
Blue Face is an analog modeled simulation of a classic BC108 silicon vintage fuzz pedal made in the late ’60s. This is one of the best known fuzz pedals ever made, used to fully blast amplifiers tube stages. We modified the original circuit to get more bite even at minimum settings.
Big Goat is an analog modeled simulation of one of the greatest fuzzbox ever made in the mid ’70s and used in countless records. The signal passes through 4 cascaded amplifier stages, where 2 of them are clipping stages. The result is a sustained fuzz, very rich in harmonics, with a unique tone.
The first Spectral Modeled Electric Piano based on real samples entirely rebuilt by modeling. Offering the real sound and feel of a Stage EP in just 25MB. SPECTRAL MODELED ELECTRIC PIANO: We decoded and analyzed a vintage electric piano sinewaves spectrum for every note and every velocity, and recreated it manually. When you play a note on Markus, the exact same sound for the original instrument will be generated (no samples involved) And we did it manually. Every single harmonic was tuned by ear. Like in acoustic piano tuning, the final touch is always made manually, and no tuning software or algorithm is able to replace that.