Mandolele v1.1.1 WiN MAC

P2P | 30 May 2022 | WiN: 105MB | MAC: 117MB

Simple & Unique World Sounds.

The Mandolele – Mandolin & Ukulele VST will help you get the ethnic feel you’re looking for! Mandolele is a Sampled Mandolin & Ukulele Instrument containing 1 Mandolin & 1 Ukulele. Each Instrument was recorded twice, once with a Guitar Pick & once with just a Finger. This gives us 4 totally different Tones. We then blend the 4 Mandolin & Ukulele Tones together to bring you some Unique Combinations! With Mandolele’s light & easy-to-use interface, you will have no problems finding a preset or creating your own sounds altogether. With streamlining your productions in mind, we kept everything, well, simple! Minimal FX allows you to use the FX you’re already familiar with (let’s face it, we all do anyway), quickly have full control over each Banjo & easily browse presets!

Quoir v1.1.1 WiN MAC

P2P | 30 May 2022 | WiN: 76MB | MAC: 91MB

Simple & Unique Vocal & Choir Sounds.

The Quoir – Mixed Vocals Instrument VST will help you get the vocal & choir sounds you’re looking for! Quoir is a Sampled Vocal Instrument with added Waveform Generator. We recorded and sampled 25 different Vocalists (15 Women & 10 Men). Containing 4 total Sampler Engines, you can blend 4 different Vocals at a time. By blending these 4 Vocals together, we bring you some Unique Choir Combinations! Slap on the Waveform Generator for some added artifacts and you have some crazy choirs & textures! With Quoir’s light & easy-to-use interface, you will have no problems finding a preset or creating your own sounds altogether. With streamlining your productions in mind, we kept everything, well, simple! Minimal FX allows you to use the FX you’re already familiar with (let’s face it, we all do anyway), quickly have full control over each Flute & easily browse presets!

MJUC v1.7.2 WiN MAC RETAiL

P2P | 30 May 2022 | 53 MB

Variable-Tube Compressor

MJUC is the most effortful plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.

SDRR 2 v2.4.1 WiN MAC

P2P | 30 May 2022 | 43.09 MB

AAX, AU, VST, VST3, RTAS, x86, x64

The Saturation Chameleon

SDRR was build to satisfy almost all of your saturation desires. It provides a comprehensive set of controls to manipulate the character of the saturation to make it fit exactly. SDRR offers four different main modes: TUBE, DIGI, FUZZ, DESK and reacts dynamically to the input signal. Each mode has it’s unique crosstalk behaviour, which can be switched of or exagerrated. A unique RMS level difference metering mode makes level matching an easy task. SDRR can be different things: a saturation, a compressor, an EQ, a bitcrusher, a subtle stereo widener, or simply add some movement to your tracks with the DRIFT control. Add warmth, depth and character to your tracks with SDRR.

EVE2 v2.51 AU VSTi WiN MAC

TEAM ASSiGN | 15 JANUARY 2010 | WiN+MAC: 673MB

What’s EVE? EVE stands for Electronic Vintage Ensemble, which suggests the design philosophy behind the instrument. EVE was made to recreate in the virtual world of softsynths the exciting and immediate experience of the early age of electronics in pop, rock and jazz music from the 1960’s and 1970’s. During this creative period in music history, many musicians started to employ the innovative sounds of the ‘electric keyboards’ which were newly available for use on stage and in the studio: Rhodes electric pianos, Hammond and Vox organs, Hohner clavinets, strings machines such as the Arp Solina string ensemble, Moog synthesizers, and all those that are now considered ‘classics’. It was not only keyboards that were a part of this revolution in popular music: the use of effects and recording techniques for layering, blending and manipulating sounds transformed the way music was produced and conceptualized. Tape based delay lines, rotating speaker cabinets, guitar distortion pedals, wah wah, phasing, flanging and other effects became an integral part of the process of sound design.

KORG M1 v2.3.2 macOS

MORiA | 25 May 2022 | 78 MB

..:: AU, VSTi, STANDALONE :::.

Introduced back in 1988, the M1’s popularity steadily grew to exceed an amazing 100,000 users. As the first workstation synthesizer, it was a definitive element in the sound of the late ‘80s through early ‘90s. Along with its innovative “workstation” concept, the M1’s “AI” (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully magesy complete program and combination sounds. As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg’s voicing technology. From the famous “M1 Piano” sound through electric pianos, organs, synth pads, drums, and picked basses, numerous sounds available only from the M1 were taken up by musicians and producers around the world, and are still in use today. Although today’s high bit-rate and high sample-rate sound libraries deliver greatly improved audio quality, it is difficult to find sounds with real presence, sounds that can’t be described purely in terms of specifications – sounds that are available only from the M1. The M1 software synthesizer reconstructs the M1’s sound engine into an eight-part multi-timbral tone generator featuring up to 256-note polyphony.

KORG Polysix v2.3.1 MAC

MORiA | 25 May 2022 | 14.6 MB

..:: AU, VSTi, STANDALONE :::.

The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day. In addition to faithfully replicating the sound of the original, the Polysix software synthesizer also adds enhancements such as 32-voice polyphony (max), up to 16-voice unison (with detune/ spread function), flexible external modulation settings, MIDI clock synchronization, and a spread function that adjusts the spaciousness of the effects — functionality that brings this classic synthesizer up to date for modern music production. The interface provides reorganized knobs and switches that resurrect the Polysix in a contemporary “rack-mountable” form for even more intuitive operation and sound-creating versatility