OPx-4 is a groundbreaking four operator FM synthesizer with advanced sound editing and an easy-to-understand control layout. In addition, the system has one of the most profound FM engines ever built with a 4×4 FM matrix that includes tone shaping and filtering and a 32-slot matrix for modulating your FM tones.
AIR Hype is powered by four sound engines; FM, Wavetable, Virtual Analog and Sampled, created from decades of research and meticulous design.
Pure-Pten is virtual analogue synthesizer with a combination of Frequency Modulation (FM), Ring Modulation (RM), Oscillator Sync, Distortion and Subtractive Synthesis.
Absynth 6 marks the return of a legendary semi-modular synthesizer. Built for textures that transform and breathe, it invites you to shape sounds that are entirely your own. Deep enough for complex sound design, and intuitive enough for newcomers, it opens up distinctive, living sounds for cinematic cues, ambient soundscapes, and electronic productions.
Absynth 6 marks the return of a legendary semi-modular synthesizer. Built for textures that transform and breathe, it invites you to shape sounds that are entirely your own. Deep enough for complex sound design, and intuitive enough for newcomers, it opens up distinctive, living sounds for cinematic cues, ambient soundscapes, and electronic productions.
The Element P is a specialized synthesizer for percussion sounds. It creates sounds using a simplified FM synthesis method, which is simple and easy to operate.
Pivot is an FM synth with three operators, one morphing filter and zero algorithms, designed to be straightforward and joyous to use. Years of research, development and deep love of FM synthesis has gone into picking just the right balance of flexibility and simplicity. It marks another milestone in a long journey of making FM synthesizers that deviate from the norm. Much like its predecessors, it does not aim to replicate or succeed anything but to explore FM in a slightly different way.
