DirectionalEQ lets the user equalize specific directions in the stereo field. It features five independent bands which can be set to operate specifically at, say, 30 degrees, -20 degrees, etc. An overall gain in those directions is possible as well.
Sometimes you just don’t want to spend much time on finding the ideal EQ settings (and, with beasts like IIEQPro and LP10, you can easily lose yourself in all the options), but just turn a knob and know it will sound right, because someone else has figured out the most musical response for you. In the case of the 6144, this person has been the designer of the Neve Portico 5033, which was the role model for this software EQ. Hats off to the man! Unique gain-Q-interaction and custom made low- and high shelf filters make sure you can apply even extreme settings without getting harsh or muddy results. Add a little bit of saturation for that extra warmth, et voila! There you go…
3x Grammy Mixing & Mastering Legend shares his highly sought after mastering techniques using Ozone 9. This course covers his techniques for EQ, Dynamics, Stereo Imaging, Exciting, Saturation, Transients, Low End Mixing, and Limiting. After watching this course you will be able to confidently apply Luca’s high level Ozone 9 mastering techniques to any mix. In addition, the Ozone 9 presets created from scratch in this course are available as a download so you can put Luca’s mastering chain directly on your own song.
EQISM.220 is a Parametric Equalizer, with five adjacent bands seperated by filters of 2nd to 20th order. It’s focus is ease & fun of use. The second order filter section is sufficient for most mixing tasks. And it is free. There is no demo noise in the unregistered version as long as you use it. The filters of higher order make EQISM.220 a sound wizard for skilled users. They have the power to cut deep into your sounds and attenuate or amplifie even smallest frequecy bands as exact as you like.
There’s a reason Weiss Engineering’s EQ1 has been at the top of the heap since its release in 1996. The EQ1’s dazzling sonic qualities combined with its flexibility as either a Minimum Phase EQ, a Linear Phase EQ, or a Dynamic EQ have made it the must-have digital mastering equalizer. The Weiss EQ1 plug-in crystallizes that legacy—in software form. Weiss Engineering’s go-to hardware and Softube’s workflow and ergonomic advancements combine here to stunning effect. A one-for-one, line-by-line code port of the original, the EQ1 plug-in is the latest and greatest addition to Softube’s successful partnership with Weiss Engineering. EQ1 joins DS1-MK3, MM-1, and more out-of-this-world Weiss + Softube products to prove that Swiss and Swedish engineering make a stellar pair.
There are equalizers with beaucoup bands and loads of features to fiddle with, and then there is equalizing so pared-down-precise that it cuts like a scalpel. Paging Weiss EQ MP. Developed through the thriving partnership between Softube and Weiss Engineering, the Weiss EQ MP is an equalizer honed for professional-grade use. Built on the minimum phase algorithm of the legendary Weiss EQ1, we designed EQ MP for exacting mixing applications that necessitate a surgical EQ and sound quality that’s a cut above the rest. With seven bands, just like the acclaimed EQ1, Weiss EQ MP gives you that famous EQ1 transparency coupled with the sharpest accuracy possible. Achieve stunning clarity in your mixes with Weiss EQ MP, the sonic surgeon with the golden bands.
The real battle for getting a clear and vibrant mix is often fought in the midrange frequencies. The Tube-Tech ME 1B is a tube-driven passive equalizer that addresses the midrange—and only the midrange. So gear up, soldier and go, go, go! The ME 1B is Tube-Tech’s unique take on the classic Pultec MEQ-5 midrange equalizer. There’s a lot of mojo going on in the Pultec designs, but the biggest mojo of it is that it is so well-designed that almost whatever setting you use, it will sound good. Just like the Tube-Tech PE 1C “Pultec” Equalizer, the Tube-Tech ME 1B is a passive, tube-based equalizer. It was designed to accompany the PE 1C equalizer, and provide control over the frequencies that the PE 1C cannot adjust. On its own it’s a great tool to shape the midrange of any audio material, and together with the PE 1C it becomes a versatile and full featured equalizer.
