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  • Blue Cat Audio Stereo Parametr’EQ v3.52 Ked MAC OSX-Kleen
    December 11th, 2015 ⚡
    Categories: AU, Blue Cat's, macOS, RTAS, VST

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    Blue Cat Audio Stereo Parametr’EQ v3.52 Ked MAC OSX

    Kleen | 10 Dec 2015 | AU VST RTAS | 17MB

    Blue Cat’s Stereo Parametr’EQ is a 7 bands parametric stereo equalizer based on Blue Cat’s Parametr’EQ technology, providing the best of the analog and digital worlds in stereo. This stereo plug-in enables you to manage separately the left and right equalizer settings and keep an eye on both frequency responses thanks to the frequency graph above the controls. The left equalizer is visible by its blue color and the right equalizer controls and graph are red. Left and right controls can be linked together with several modes. The Smooth Update and Smooth Bypass technologies have been included in this plug-in so that you can automate the equalizer in your favorite sequencer or use the MIDI capabilities of your host software to control the EQ in real time. You will get an absolutely zipper-free continuous time-varying equalization. These capabilities and the zero latency of this plug-in make it suitable for any real time application.



    Viewed 8676 By Music Producers.


  • Overtone AF2-10M Stereo Graphical EQ V2.4.3 x86 x64 WiN
    September 8th, 2015 ⚡
    Categories: VST, WiNDOWS, x64, x86

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    AF2-10M v2.4.3 VST x86 x64 WiN

    P2P | 08-09-2015 | 500 KB

    A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.



    Viewed 7474 By Music Producers.


  • 31 Band EQ VST WiN
    April 15th, 2015 ⚡
    Categories: VST, WiNDOWS

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    31 Band EQ VST WiN

    HY2ROG3N | 15.04.2015 | 4.88 MB

    Acoustica 31 Band EQ is a 1/3-octave graphic equalizer offering precise control over frequency content. Slider range is adjustable from 6dB to 24dB of boost and cut, and many presets are included to get you started.



    Viewed 8736 By Music Producers.

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  • PSEQ-1 Vacuum Tube Passive EQ VST WiN
    April 15th, 2015 ⚡
    Categories: VST, WiNDOWS

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    PSEQ-1 Vacuum Tube Passive EQ VST WiN

    HY2ROG3N | 15.04.2015 | 3.69 MB

    The PSEQ-1 Vacuum Tube Passive EQ faithfully replicates the sweet and warm “undoctored” tonality of passive EQ circuits. Even with large boosts at narrow-Q settings, the PSEQ-1 Vacuum Tube Passive EQ avoids the harshness that often plagues conventional active EQ topologies. The perfect EQ for individual channels or two- channel final mix busses.



    Viewed 5578 By Music Producers.

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  • UAD UA 610 Tube Preamp & EQ Collection Explained TUTORiAL
    March 23rd, 2015 ⚡
    Categories: TUTORiALS

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    UAD UA 610 Tube Preamp & EQ Collection Explained TUTORiAL

    SYNTHiC4TE | March 23 2015 | 228 MB

    A TREASURED PREAMP BROUGHT TO SOFTWARE

    Universal Audio’s 610 Tube Preamp & EQ have been one of the most sought after preamps since the early 60s, and studio guru Brock Jon shows you how you can get that classic sound with the UAD emulation! Beginning with a historical overview of just how widely used both the original and current production versions of the UA 610 are, Brock dives first into the Preamp, then the EQ Controls, of the UA 610 A & B plug-ins. He also explains what each individual control does and how they all work together. The next videos offer in-depth information on how to use the various plug-ins on different types of source material. He starts by applying the 610 to Drums, then to Bass Synths. Brock now shows you how to get the most out of the 610 A & B on Strings, Synths, And Vocals. Finally, he uses the 610A & B on the Master Buss to add that extra girth and sparkle. If you’re an experienced UA610 user looking for some new insight or a new UAD user looking for a unique creative tool, watch “UAD UA 610 Tube Preamp & EQ Collection Explained” today and reap the rewards of this industry-standard, classic piece of gear!



    Viewed 8064 By Music Producers.


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