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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • PLParEQ v2.24 VST WiN PROPER-ASSiGN
    May 10th, 2016 ⚡
    Categories: VST, WiNDOWS

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    PLParEQ v2.24 VST WiN

    TEAM ASSiGN | 15.07.2010 | 5 MB

    PLParEQ is a 10-band Phase-Linear Parametric Equalizer of the highest quality. Each filter may assume any of many different filter characteristics, and operate in either traditional phase-warping mode, or our phase-linear mode. It uses the same internal DSP core as all of our other high-end products. Audio streams are treated in either stereo or mono. Individual filters can be applied to either or both stereo channels, middle only, or side only.



    Viewed 2567 By Music Producers.

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    • AlexB Classic Logic eQ for Nebula 3-KRock
      May 4th, 2016 ⚡
      Categories: Acoustica, NEBULA, Presets

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      AlexB Classic Logic eQ for Nebula 3

      Team KRock | February 20 2013 | 373.71 MB

      The punchy EQ: The legendary sonic signature of an early 80 s classic: the Brown 02 which was featured on countless 1980 s recordings. This punchy EQ has a unique character which sculpts the sound perfectly to fit in the mix. The programs: Carefully sampled @96kHz in a professional recording studio with hi-quality audio and digital cables and master grade converters with audio levels perfectly matched and calibrated. They are precisely programmed without normalizing or other destructive digital processing. The programs don’t sound processed, harsh or digital as most plugins do, but instead sound like a natural extension of the original audio, gluing your tracks in the mix with an analog vibe.



      Viewed 5761 By Music Producers.


      • Girthy Mastering EQ Mojo 192 khz for Nebula 3
        April 29th, 2016 ⚡
        Categories: Acoustica, NEBULA, Presets

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        Girthy Mastering EQ Mojo 192 khz for Nebula 3

        SYNTHiC4TE | Feb 19 2013 | 266 MB

        This is a superb sampling of an E-M-Eye mastering EQ known for girth and weight especially in the low end – Even without any curves it adds a transformer magic all on its own. This is the DSOTM sound ITB. Add some heft to your tracks with ease. Naturally this equaliser is at home whether you are mixing or mastering. Works well with the Waves Q-clone Package that I made with all knob positions of the hardware.Get it here or GET THE BUNDLE HERE. Painstakingly sampled in 0.5 Db steps across the whole range of the hardware. Natural yet coloured this EQ can add that final polish to your tracks where colour is part of the desired result. Also use it with the Abbey Road plugin. Provided at 192 khz, 96 khz and 44 khz.



        Viewed 4482 By Music Producers.


        • 10 Common EQ Mistakes R2 TUTORiAL-SYNTHiC4TE
          February 5th, 2016 ⚡
          Categories: TUTORiALS

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          10 Common EQ Mistakes R2 TUTORiAL

          SYNTHiC4TE | Feb 04 2016 | 148 MB

          “Mistakes are your best teachers.” This course examines 10 common EQ mistakes and shows you how to fix them. Let US make the mistakes so YOU don’t have to! There’s no better way to learn! EQ is just two letters, but it opens up a minefield of sonic pitfalls. There’s parametric, graphic, linear phase and whole lot more in many different configurations. So how do you use them? What are the best practices? When do you apply it and why? Most of all, do you boost or do you cut? That’s why we created this “Common EQ Mistakes” course. We show you common EQ mistakes and you get to learn from them.



          Viewed 3359 By Music Producers.


          • Blue Cat Audio Liny EQ v5.02 Ked MAC OSX-Kleen
            December 11th, 2015 ⚡
            Categories: AU, Blue Cat's, macOS, VST, x64, x86

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            Blue Cat Audio Liny EQ v5.02 Ked MAC OSX

            Kleen | 10 Dec 2015 | 83 MB

            AU – VST – RTAS 32+64 Bit Stereo & Mono

            Blue Cat’s Liny EQ is an 8 bands linear phase equalizer with very low latency and comprehensive visual feedback: thanks to its highly optimized linear phase kernel, it processes the signal without phase distortion, with an unusually short latency (less than 3 milliseconds). Its wide range of gain (+-40dB) and multiple filter shapes make it very flexible for a graphic EQ, letting you create unique EQ curves. The dual channels version offers independent settings for the left/right or mid/side channels, with flexible linking capabilities for an optimal workflow. The highly customizable user interface includes a first class spectrum analyzer and spectrogram viewer. It lets you choose the best layout and display options to adapt the plug-in to your own workflow.



            Viewed 5778 By Music Producers.


            • Blue Cat Audio Stereo Parametr’EQ v3.52 Ked MAC OSX-Kleen
              December 11th, 2015 ⚡
              Categories: AU, Blue Cat's, macOS, RTAS, VST

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              Blue Cat Audio Stereo Parametr’EQ v3.52 Ked MAC OSX

              Kleen | 10 Dec 2015 | AU VST RTAS | 17MB

              Blue Cat’s Stereo Parametr’EQ is a 7 bands parametric stereo equalizer based on Blue Cat’s Parametr’EQ technology, providing the best of the analog and digital worlds in stereo. This stereo plug-in enables you to manage separately the left and right equalizer settings and keep an eye on both frequency responses thanks to the frequency graph above the controls. The left equalizer is visible by its blue color and the right equalizer controls and graph are red. Left and right controls can be linked together with several modes. The Smooth Update and Smooth Bypass technologies have been included in this plug-in so that you can automate the equalizer in your favorite sequencer or use the MIDI capabilities of your host software to control the EQ in real time. You will get an absolutely zipper-free continuous time-varying equalization. These capabilities and the zero latency of this plug-in make it suitable for any real time application.



              Viewed 7660 By Music Producers.


              • Overtone AF2-10M Stereo Graphical EQ V2.4.3 x86 x64 WiN
                September 8th, 2015 ⚡
                Categories: VST, WiNDOWS, x64, x86

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                AF2-10M v2.4.3 VST x86 x64 WiN

                P2P | 08-09-2015 | 500 KB

                A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.



                Viewed 6412 By Music Producers.


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