🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • Echo Chambers Part 1 Chambers of Myth NEBULA-ARCADiA-MaGeSY

    Chambers of Myth NEBULA

    Team ARCADiA | 06 January 2026 | 814.57 MB

    An echo chamber is a reverberant real space, which is used to add reverb (not distinct ‘echoes’) to any audio signal. This is done by playing the signal into the space through a speaker, and picking up the audio from that space with at least one microphone. The speaker/mic are usually arranged such that very little signal can travel directly between them, with the sound waves having to bounce off of the walls (becoming diffuse) at least once before reaching the mic(s). In other words, mostly just the reverberation of the space itself is captured. This new, reverb heavy aka “wet” signal can then be mixed back in with the original dry audio to taste.


    Viewed 23502 By Music Producers & DJ´s.


  • Dual Springs Depth-Xpander And JVC For NEBULA-ARCADiA-MaGeSY

    Depth-Xpander & JVC

    Team ARCADiA | 06 January 2026 | 670.51 MB

    Two tube-driven spring reverb units were extensively sampled for this library. The first has a degree of notoriety (I’m calling it “Depth Xpander”) and was marketed for use in home stereo systems, and people even had them in their cars, to apply some reverb to the music they played on their system. It’s mono and is said to have been used by King Tubby in his dub mixes. The unit itself is really just a tube amp for driving a spring tank. The second unit (a JVC Nivico) was aimed at the same market, but actually contains the springs inside the case, with the tube amp. This one is stereo. The Depth Xpander has the main reverb, and 4 ‘bionic’ reverbs, which were made using a sampling technique I’ve been using for years now- playing/recording the sampling tones at faster and slower, which results in shorter or longer reverbs, with their frequency responses shifted up or down. The JVC has 3 very similar versions of its main reverb, and 5 bionic ones. I also sampled it in combination (running into) with some eurorack synthesizer modules, including lots of interesting filters (filter banks, formant filters, low passes, etc) and some other modules. There were 8 modular patches, which produced 8 more reverbs. Some of the JVC bionic and +modular reverbs are actually in mono- that’s how they were sampled.


    Viewed 5777 By Music Producers & DJ´s.


  • CX20 Spring Reverb For NEBULA-ARCADiA
    January 4th, 2026 ⚡
    Categories:

    CX20 Spring Reverb For NEBULA-ARCADiA-MaGeSY

    CX20 Spring Reverb NEBULA

    Team ARCADiA | 04 January 2026 | 1.66 GB

    The meticulously sampled and reproduced damper control ensures that you will have the smooth and natural dampening effect you would have with the hardware, and lush stereo reverb for days. As with many of my reverbs, this one is more complex by design compared to typical Nebula reverb programs (having a sampled control inside a reverb instantly makes everything more complex), so you’re going to want a fairly recent CPU and decent amount of RAM to get the best out of these programs. There is also a bonus reverb which used a sampling process I came up with that I usually refer to as ‘bionic’. The sampling tones are ran through the hardware at faster and slower speeds than normal, giving higher and lower pitched frequency responses than normal, and also faster and slower reverb reactions. 3 different speeds were used to create these 3 alternate ‘what if’ reverbs and they are all contained inside one program, allowing you to select whichever one you want without having to load another program to hear the next one. Try these out if you ever want something a little different from the main program!


    Viewed 6331 By Music Producers & DJ´s.


  • CupTone Vol.3 Tone+Distortion For NEBULA-ARCADiA-MaGeSY

    CupTone Vol.3 Tone+Distortion

    Team ARCADiA | 03 January 2026 | 452.05 MB

    This is volume 3 of my CupTone series, and everything in it is new. There are a lot of really interesting tone programs here, with many of them coming from some very unique, vintage preamps. Other programs are from mixing consoles, outboard equalizers and compressors, and a saturation device. Some have an adjustable EQ band. A major focus with this release was sampling and recreating not just subtle harmonics, but actual distortion. To that end I spent a lot of time rethinking how I make my programs, and came up with a method entirely different from anything I’ve ever done. 10 of the 35 tone programs are capable of producing distortion. The other 25 programs are great for tone sculpting and some subtle harmonic enhancement, just like the programs in my Cuptone 2 release. There are also 12 programs for recreating the non-linear dynamics that occur when some of the sampled gear was driven into saturation. In total there are 47 programs (for each sample rate), sampled from 22 different types of gear.


    Viewed 6388 By Music Producers & DJ´s.


  • Cassette Deck 2 For NEBULA UPDATED-ARCADiA
    December 31st, 2025 ⚡
    Categories:

    Cassette Deck 2 For NEBULA UPDATED-ARCADiA-MaGeSY

    Cassette Deck 2 For NEBULA

    Team ARCADiA | 31 December 2025 | 103.40MB

    The ADS C3 cassette deck can play at the standard 1 7/8 IPS, but also at 3 3/4. The double speed mode increases performance, including: noise floor, wow and flutter, and high frequency reproduction. At single speed the deck already performs very well, but the quality at double speed puts this deck in contention for the highest quality to be had from cassette. It even approaches the reel format, with the noise floor and wow/flutter being the only specs really holding it back (while still being very good for cassette). Lucky for us, those faults don’t exist in the Nebula programs! Many tapes were used, with some of each type (I, II, III, and IV), and of various qualities.


    Viewed 10789 By Music Producers & DJ´s.


  • Sooper Time Tube + BBD Delay/Reverb NEBULA-ARCADiA [UPDATED]-MaGeSY

    Sooper Time Tube + BBD Delay/Reverb

    Team ARCADiA | 30 December 2025 | 505.95 MB

    This collection includes effects sampled from three sources. The ‘Time Tube’ unit passes audio through lengths of hose using speakers and pickups, to produce a delay of a few milliseconds, creating a Haas ‘doubling’ effect where the delay isn’t heard as a distinct echo, but instead blends with the dry signal in a way that thickens the sound. Some people love it for vocals. The delay actually comes from the amount of time it takes the sound to travel through the hose. It offers stereo and mono modes, which are different. I’ve sampled both. The other effects were sampled from two home stereo system units: the Pioneer SA60, and the Sansui SA-710. They were both designed to add ambience to the music you play on your system, using bucket brigade delay chips. The SA60 can do a really nice ‘duet’ effect, which is a short delay good for doubling, similar to the ‘Time Tube’ effect.


    Viewed 54640 By Music Producers & DJ´s.


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