GTO and GTX are a pair of vintage style ‘character’ compressors, designed like their muscle car name-sakes for brute power, pure speed and to make a loud noise. They have everything you’d expect in a thorough-bred compressor, but are tuned for maximum control and ease of use, each with their own unique vintage colouring on top.
Straight from the heart of Jamaica’s most prolific music community, Waterhouse in Kingston, we proudly introduce you the Alborosie Dub Station. We sampled, analyzed, and carefully recreated the original filter, echos, and spring reverb pre-owned, modified, and used by the legendary Osbourne Ruddock “King Tubby” – producer, studio engineer, and pioneer of dub reggae from the golden era of the 70s – from Alborosie’s personal vintage gear collection.
DTS Neural Surround UpMix technology was ranked #1 in double blind listening tests, outperforming all other methods in near discreteness, envelopment, and original spatial location. The DTS Neural Surround UpMix transforms any stereo signal into a surround sound experience. Audio that’s encoded and downmixed using the DTS Neural Surround DownMix can be restored with the correct information that delivers a near-discrete 5.1 surround sound experience. Stereo content that has not been encoded can be translated into width and depth information, creating a pleasing and enveloping surround image – often indistinguishable when compared to the original surround sound mix content. Matrix-encoded Lt/RT stereo signals can be upmixed by DTS Neural Surround and provide a high quality surround sound experience to a surround sound image that is more stable than that of traditional matrix decoders. DTS Neural Surround UpMix spectrally separates individual audio elements and places each in its intended location within the surround environment. This results in unparalleled image placement and stability. The audio is placed exactly where it would be heard in a professional Live End Dead End (LEDE) mixing studio listening environment. The UpMix does this while preserving the artistic integrity of the content.
eJay Dance is back! The software that has inspired fans from all over the world is now even better than ever before. eJay Dance 6 – Reloaded does it right: Doesn’t matter whether you’re a thoroughbred musician or you just want to have fun creating cool tracks. Create your songs in full studio quality as simply as never before. And that’s not all: In the 3D Video Studio you can produce all the video clips for your music – over 2,000 3D and video elements are available. And you can publish all your material straight onto Twitter, Facebook,YouTube and MySpace – so that you can play your clips to your friends and also take advantage of the cool eJay community.
The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities. Monarch of electronic organs, the rich sounding B3 has been a staple of jazz, gospel, rock, reggae and R&B—not to mention pro studios everywhere—for over a half century. Its electromagnetic tonewheel design gave it a beefy quality not found on later transistor organs. Our faithful homage includes an authentic rotary speaker and an array of stomp boxes, plus inspiring updates like analog circuit mods and drawbar modulation for new animated and syncopated effects.
Blue Face is an analog modeled simulation of a classic BC108 silicon vintage fuzz pedal made in the late ’60s. This is one of the best known fuzz pedals ever made, used to fully blast amplifiers tube stages. We modified the original circuit to get more bite even at minimum settings.
Big Goat is an analog modeled simulation of one of the greatest fuzzbox ever made in the mid ’70s and used in countless records. The signal passes through 4 cascaded amplifier stages, where 2 of them are clipping stages. The result is a sustained fuzz, very rich in harmonics, with a unique tone.
