Modern Rock Groove Pack for BFD3

P2P | 16.12.2016 | 13.10 MB

FXpansion | Groove Pack | x86/x64 | WIN/OSX

Modern Rock Grooves is a BFD3 Groove Pack with inspirational and heavy beats for a variety of rock genres. Designed to inspire riffs and kickstart songs, the included patterns are played live and dripping with the organic feel of a human drummer. Each of the 11 included Groove Palettes feature up to 32 4-bar Grooves alongside at least 4 Fills and an accompanying BFD3 preset to provide instant results. With over 250 patterns in total, Modern Rock Grooves is perfect for songwriting, jamming and practice sessions.

Austrian Grand Piano v1.7

P2P | 16.02.2020 | WiN: 4.07 GB | MAC: 6.09 GB

..:: AAX, AU, VSTi, 32Bit, 64Bit ::..

Austrian Grand piano was sampled from a 100 year old Bruder Mikula Wien Austrian grand through a pair of AEA R84 ribbon microphones into an AEA TRP ribbon microphone preamp. Prior to recording, the piano’s hammer felts were sanded down to warm them up a bit. The piano was sampled in stereo under the lid, because that’s where the tone sounded best, at a sample rate of 44.1 kHz. It took many weeks to sample the piano entirely, as it was in such a state that most of the tuning pegs could no longer hold a pitch for any length of time. The piano was sampled labriously, with the softest to loudest dynamics being played, resulting in a library that can boast 10 velocity layers and 2 note round-robin.

VirSyn PlugIns Pack WiN

AiR/ASSiGN | 2009/2011 | 177 MB

..:: VST, VSTi, RTAS, x86, x64 ::..

Bark, Cantor, FDelay, Klon, Matrix, Poseidon, Prism, Reflect, TDesign, Tera, Vtape.

Beats Drum v2.6 WiN MAC

Team DECiBEL | 18 Feb 2020 | 3.82 GB

Beats Drum VST, Au, and Kontakt sample library was created by sampling 3 drum kits and 14 different snares using different combinations of drum heads and tunings in an acoustically dead environment. The end result is a large drum sample library with interchangeable parts that sounds great no matter the combination. The various kits and drums were sampled utilyzing the Glyn Johns method. Drum overheads were a pair of Shure SM81’s, bass drums were recorded through an Audix D6, and snare drums were captured with a Shure SM 57, with various spot mics used to beef up the sound of the toms when needed.

Electric Bass v1.3 WiN MAC

Team DECiBEL | 19 Feb 2020 | WiN: 3.6 GB | MAC: 4.04 GB

…::: AAX, AU, VSTi, x86 ,x64 :::…

Electric Bass was sampled from a Yamaha BB424x electric bass guitar. The bass was modified so that individual pickups were wired to independent jacks, thus allowing for independent sampling of the bridge and neck pickups. Volume and tone pots were bypassed, so resistors were wired in their place to minimize the “ice pick” sound of an electric bass without pots. The pickups were then run into individual Radial 48 active direct boxes and Grace 101 preamps, which provided additional gain. Sampling began by recording with the target of 4 velocity layers with 5 note round-robin. The strings of the bass were kept relatively bright and fresh. Nearly the entire bass was sampled in this manner, but the results were unsatisfactory, so the bass was re-sampled from the beginning with 10 velocity layers, 4-note round robin, and mellow strings.

808 Massacre v3 WiN MAC

FANTASTiC | Nov 25 2016 | 562 MB

You heard 808 Massacre V1 and V2 but now we bring V3 . The angry older brother of the 808 Massacre Line of 808s. Bringing producers some of the most unique 808s in the game. These 808s were meticulously crafted with the urban producer in mind. If you want 808s that shake the house then you came to the right place. Just load up 808 Massacre V3 and your ready to produce your next hit. NO EQ NESSASARY. Everything you hear has been prepared so that you can instantly create without having to eq or compress, or add any other fx to make them sound great.

GSi Milestone v1.0 Virtual Trumpet VSTi

TEAM AMPLiFY | 11.08.2007 | 4.02 MB

Miles’tone is a simulation of a trumpet.

It is based on a mixed use of traditional synthesis (oscillators, filters) and physical modeling synthesis (tuned delay lines, resonators), but more importantly it reflects the behaviour of a real trumpet, reacts to pitch changes and air pressure in a very natural way, and has a nice and warm timbre. It has been conceived to work with a Wind Controller but it can also be played with a traditional MIDI keyboard thanks to the built-in dedicated envelope generator. Miles’tone doesn’t use any samples.