Austrian Grand Piano v1.7

P2P | 16.02.2020 | WiN: 4.07 GB | MAC: 6.09 GB

..:: AAX, AU, VSTi, 32Bit, 64Bit ::..

Austrian Grand piano was sampled from a 100 year old Bruder Mikula Wien Austrian grand through a pair of AEA R84 ribbon microphones into an AEA TRP ribbon microphone preamp. Prior to recording, the piano’s hammer felts were sanded down to warm them up a bit. The piano was sampled in stereo under the lid, because that’s where the tone sounded best, at a sample rate of 44.1 kHz. It took many weeks to sample the piano entirely, as it was in such a state that most of the tuning pegs could no longer hold a pitch for any length of time. The piano was sampled labriously, with the softest to loudest dynamics being played, resulting in a library that can boast 10 velocity layers and 2 note round-robin.

VirSyn PlugIns Pack WiN

AiR/ASSiGN | 2009/2011 | 177 MB

..:: VST, VSTi, RTAS, x86, x64 ::..

Bark, Cantor, FDelay, Klon, Matrix, Poseidon, Prism, Reflect, TDesign, Tera, Vtape.

Beats Drum v2.6 WiN MAC

Team DECiBEL | 18 Feb 2020 | 3.82 GB

Beats Drum VST, Au, and Kontakt sample library was created by sampling 3 drum kits and 14 different snares using different combinations of drum heads and tunings in an acoustically dead environment. The end result is a large drum sample library with interchangeable parts that sounds great no matter the combination. The various kits and drums were sampled utilyzing the Glyn Johns method. Drum overheads were a pair of Shure SM81’s, bass drums were recorded through an Audix D6, and snare drums were captured with a Shure SM 57, with various spot mics used to beef up the sound of the toms when needed.

Electric Bass v1.3 WiN MAC

Team DECiBEL | 19 Feb 2020 | WiN: 3.6 GB | MAC: 4.04 GB

…::: AAX, AU, VSTi, x86 ,x64 :::…

Electric Bass was sampled from a Yamaha BB424x electric bass guitar. The bass was modified so that individual pickups were wired to independent jacks, thus allowing for independent sampling of the bridge and neck pickups. Volume and tone pots were bypassed, so resistors were wired in their place to minimize the “ice pick” sound of an electric bass without pots. The pickups were then run into individual Radial 48 active direct boxes and Grace 101 preamps, which provided additional gain. Sampling began by recording with the target of 4 velocity layers with 5 note round-robin. The strings of the bass were kept relatively bright and fresh. Nearly the entire bass was sampled in this manner, but the results were unsatisfactory, so the bass was re-sampled from the beginning with 10 velocity layers, 4-note round robin, and mellow strings.

Pigments v2.0.0 WiN x64

Team R2R | 19 Jan 2020 | 270.6 MB

(Win64; AAX, VST3, VSTi, STANDALONE)

Pigments, a hybrid “polychrome” instrument that features hugely powerful, cutting-edge wavetable synthesis alongside award-winning virtual analog technology. After spending 20 years analyzing and emulating the best synthesizers ever made, they have now used their expertise to create an original, uniquely software synthesizer. Pigments offers exceptional sound thanks to its hugely powerful architecture and lightning-fast workflow that makes complex modulations easy, fast, and fun.

Concept v1.1.0 WiN

TEAM V.R | 25/08/2020 | 84 MB

Win64; AAX*, VST3, VSTi

Concept is an intuitive and creative soft-synth, that makes the process of creating your own patches fast and inspiring. Concept’s flexible synth engine will enable you to create everything from traditional synth sounds to more complex evolving textures and custom sound design elements. A fresh approach to modulation allows any parameter to be mapped to one of four highly editable multi-mode modulators in the centre of Concept’s UI. Choose from a variety of flexible modulation options such as an Envelope/Pitch Follower, an X/Y Capture pad and the unique ‘Tweak It’ customisation system.

Lancinantes v1.2.0 WiN MAC

SYNTHiC4TE | May 24 2021 | 8 MB

Drone Synthesizer / AU / VSTi / x64

Lancinantes is a drone synthesizer plugin : having no amplitude control envelope its oscillators are freely running, generating a constant sound. Three special additive oscillators are layered, allowing the creation of chords that can be conformed to a melodic scale. The oscillators are built around harmonic combinations where each partial has a random amplitude modulation applied to create perpetual subtle variations. New sets of harmonics can manually be regenerated at will. A mixer section allows you to adjust individual oscillators levels as well as the amplitudes of a sub oscillator and a white noise generator. The mixer output then goes through a resonant filter, an overdrive, a delay, and a reverb to further shape the sound.