Unstable likes to mess around with your audio pitch, with 3 subtle pitch modulation modes to simulate the unpredictable but lovable pitch instability of an old tape machine or an analogue synth. It doesnüft only do subtle though, you can also put it in ‘insane’ mode if you’d rather just f**k things up.
SixtyFive is a vintage-style, RMS Compressor, inspired by the dbx? 165A, a classic 1970’s compressor found in many studios, but it also adds a couple of new twists. It’s a soft-knee RMS compressor with a vintage flavour. The RMS detection and soft-knee help to give a smooth and musical compression experience, the non-linear response imparts character and the gentle saturation brings colour and warmth. As well as all of the originals features, this version adds parallel compression, extended knob ranges and peak metering. sixtyfive can deliver a range of compression from gentle smoothing of vocal performances to brutal slamming of your drum buss. Enjoy!
QB3 is a vintage-style, 3-band EQ plug-in, with its own unique colouring and a few tricks up its sleeve. For each band you can adjust the centre frequency and gain. For the low and high shelving bands you can adjust the steepness of the slope, whilst for the mid peaking band you can adjust the bandwidth. This allows a range of sounds from steep, sharp cuts to smooth and gentle boosts.
GTO and GTX are a pair of vintage style ‘character’ compressors, designed like their muscle car name-sakes for brute power, pure speed and to make a loud noise. They have everything you’d expect in a thorough-bred compressor, but are tuned for maximum control and ease of use, each with their own unique vintage colouring on top.
Straight from the heart of Jamaica’s most prolific music community, Waterhouse in Kingston, we proudly introduce you the Alborosie Dub Station. We sampled, analyzed, and carefully recreated the original filter, echos, and spring reverb pre-owned, modified, and used by the legendary Osbourne Ruddock “King Tubby” – producer, studio engineer, and pioneer of dub reggae from the golden era of the 70s – from Alborosie’s personal vintage gear collection.
DTS Neural Surround UpMix technology was ranked #1 in double blind listening tests, outperforming all other methods in near discreteness, envelopment, and original spatial location. The DTS Neural Surround UpMix transforms any stereo signal into a surround sound experience. Audio that’s encoded and downmixed using the DTS Neural Surround DownMix can be restored with the correct information that delivers a near-discrete 5.1 surround sound experience. Stereo content that has not been encoded can be translated into width and depth information, creating a pleasing and enveloping surround image – often indistinguishable when compared to the original surround sound mix content. Matrix-encoded Lt/RT stereo signals can be upmixed by DTS Neural Surround and provide a high quality surround sound experience to a surround sound image that is more stable than that of traditional matrix decoders. DTS Neural Surround UpMix spectrally separates individual audio elements and places each in its intended location within the surround environment. This results in unparalleled image placement and stability. The audio is placed exactly where it would be heard in a professional Live End Dead End (LEDE) mixing studio listening environment. The UpMix does this while preserving the artistic integrity of the content.
Blue Face is an analog modeled simulation of a classic BC108 silicon vintage fuzz pedal made in the late ’60s. This is one of the best known fuzz pedals ever made, used to fully blast amplifiers tube stages. We modified the original circuit to get more bite even at minimum settings.
