AD-202 v1.0.0 WiN MAC LiNUX

AGS | 22.08.2026 | WiN: 76.3MB | MAC: 191.8MB | LiN: 97.7MB

..: VST3 | AU | AAX | CLAP | LV2 :…

AD-202 is a single-oscillator monosynth in the small-grey-box tradition of the early 1980s. One VCO with saw, pulse, sub, and noise running into a 24 dB ladder filter, one envelope, one LFO, and very little else. All main controls are on the front panel, and there is exactly one path from a knob to a sound. Under the vintage panel it is a thoroughly modern instrument. Mono or eight-voice poly, per-voice analog drift, a tempo-syncable LFO with a delayed onset, MPE, MTS-ESP microtuning, and a post-VCA color section with pre-filter saturation, filter drive, distortion, and a tilt EQ. The vintage part is the ergonomics. The rest of it is not vintage at all.

Sound Doctor v1.3.19 WiN MAC

Team V.R | 22 August 2026 | 200 MB

…: AAX*, VST3, VST2, AU :…

The World’s First (And Only) FX Chain Generator Plug-In That’s Style Specific And Actually Sounds Good 93% Of The Time

LUFS Meter v1.3.1 WiN MAC

Team R2R | 16 December 2015 | WiN: 5.1 MB | MAC: 3.7 MB

…: AAX, AU, VST, VST3, x86, x64 :..

A plugin to measure and adjust the loudness similar to the human perception of loudness. It also provides a unique and fast way to create initial faders up mixes. All versions of the LUFS Meter are contained in one single plugin. At first it operates as the Evaluation LUFS Meter.

Stereoize v1.0.0 macOS

Team Xdb | 20 February 2026 | 62.78 MB

Make it stereo.

Based on a classic delay trick, Stereoize takes a mono signal and turns it into a wide, textured stereo sound. Perfect for anything that needs space, vibe, or a little stereo magic – as easily & quckly as possible.

P11 Abyss v2.2.3 MAC

MORiA | 23 August 2025 | 79.29 MB

..: AU, VST3, 64Bit :..

P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors. Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.

Shearwater Piano WiN MAC

OLTRE | 23 April 2025 | 3.45 GB

An intimate upright piano recorded in Dartmoor, UK. Tape mode for an instant vintage warmth, with every note run individually through a tape deck. Paper mode for a unique plucky bounce, recorded with masking tape over the piano strings.

Slam 2 v1.4.0 macOS

Team MORiA | 21 August 2026 | 137.09MB

SLAM2 is designed to hide the complex and great-sounding processing behind the scenes and present a simple and inspiring Interface that is very intuitive and has all controls needed to “Phatten” Channel, Drums, Vocals, Synths, or an entire mix with just a few controls. Behind this simple interface lies very very complex processing.