ABYSS Launch Edition
GTA | 14 July 2024 | 3.42 GB
10 Brand New Sample Collections Included…
Viewed 33296 By Music Producers & DJ´s.
10 Brand New Sample Collections Included…
P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors. Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.
P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors. Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.
P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors. Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.
ABYSS is a designer bass collection focusing on deep and atonal sounds created with classic and modern analog synthesizers to produce rumbling soundscapes, dystopian pads and characteristic drones with real low-end and depth. With a lot of instrument presets and the updated Synths Engine 2.0 you get great flexibility and sound design possibilities for your next film score, videogame, ambient or any other music production.
The Abyss is organic, static and alive at the same time, where time is non-existent. You could think of it as a new phase derived and progressed from the Enchantment volumes. The sounds of The Abyss contains completely new sound design discoveries and is also built from the now vast Leap Into The Void collection of specially tailored waveforms and envelopes. There are roughly 600 sculpted waveforms each tailored for the specific module. Main focus are tempo-synced sounds of form and un-form, all the way from thunderous, distorted and noisy to ultra short clicks and glitches. Second focus are long sounds, be it drones, soundscapes, obscured bells and sounds with long release. Third focus are sounds of various category. Feedback has played an important role while designing The Abyss.