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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • P11 Abyss v2.0.5 AAX VST3 x64 WiN-R2R
    May 17th, 2024 ⚡
    Categories: AAX, VST3, WiNDOWS, x64

    P11 Abyss v2.0.5 AAX VST3 x64 WiN-R2R-MaGeSY

    P11 Abyss v2.0.5 WiN

    Team R2R | 17 March 2024 | 19.1MB

    P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors. Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.



    Viewed 100767 By Music Producers.

    Tags: , , , , , ,

  • P11 Abyss v2.0.5 U2B macOS-MORiA
    May 4th, 2024 ⚡
    Categories: Apple Silicon, AU, macOS, U2B, VST3, x64

    P11 Abyss v2.0.5 macOS-MORiA-MaGeSY

    P11 Abyss v2.0.5 MAC

    MORiA | 04 March 2024 | 64.8 MB

    ..: AU, VST3, 64Bit :..

    P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors. Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.



    Viewed 158163 By Music Producers.


  • P11 Abyss v2.0.5 AAX VST3 x64 WiN-TCD
    May 2nd, 2024 ⚡
    Categories: AAX, VST3, WiNDOWS

    P11 Abyss v2.0.3 AAX VST3 x64 WiN-R2R-MaGeSY

    P11 Abyss v2.0.5 WiN

    Team TCD | 02 March 2024 | 17.2MB

    P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors. Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.



    Viewed 96670 By Music Producers.


  • Synths II: Abyss v1.2 KONTAKT-DECiBEL
    June 9th, 2021 ⚡
    Categories: Audio Samples, KONTAKT

    Abyss v1.2 KONTAKT

    Team DECiBEL | 03 Apr 2020 | 4.36 GB

    Dark Synth Soundscapes and Glitch

    ABYSS is a designer bass collection focusing on deep and atonal sounds created with classic and modern analog synthesizers to produce rumbling soundscapes, dystopian pads and characteristic drones with real low-end and depth. With a lot of instrument presets and the updated Synths Engine 2.0 you get great flexibility and sound design possibilities for your next film score, videogame, ambient or any other music production.



    Viewed 7707 By Music Producers.


  • The Abyss For Ni ABSYNTH-DiSCOVER
    June 2nd, 2021 ⚡
    Categories: ABSYNTH, Presets

    The Abyss For Ni ABSYNTH-DiSCOVER

    The Abyss For Ni ABSYNTH

    DiSCOVER | 22 December 2015 | 58 MB

    ….:::: 128 NI Absynth Presets! ::::….

    The Abyss is organic, static and alive at the same time, where time is non-existent. You could think of it as a new phase derived and progressed from the Enchantment volumes. The sounds of The Abyss contains completely new sound design discoveries and is also built from the now vast Leap Into The Void collection of specially tailored waveforms and envelopes. There are roughly 600 sculpted waveforms each tailored for the specific module. Main focus are tempo-synced sounds of form and un-form, all the way from thunderous, distorted and noisy to ultra short clicks and glitches. Second focus are long sounds, be it drones, soundscapes, obscured bells and sounds with long release. Third focus are sounds of various category. Feedback has played an important role while designing The Abyss.



    Viewed 5261 By Music Producers.


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