A barren landscape stands before you. the biting cold winds sweep around you as you take in the serenity and purity of the scenery. icy peaks stretch towards the clouds on the horizon. you’re alone in this bitter wilderness, but you feel a sense of both peace and wonder. welcome to tundra.
CHARLIE is focused on famous electric organ sounds. The included sound library is enormous, because nothing beats the real sound quality of a genuine organ, recorded with the vintage equipment favored by purists everywhere. The leslies were carefully miked and recorded with low and high rotor speed. Charlie is powered by our amazing sample-playback engine, allowing musicians to play complex parts without the polyphony restrictions of modeling. A clearly-designed interface helps you to make the necessary sound adjustments… The included organs are from Hammond of course, but also Elka and other select organ makers.
Strummed and Picked Steel String Acoustic. Perfect Rhythms From A Session Pro.
TENS has been physically modeled after the range of high end studio spring reverberation units introduced by a famous Austrian company from the early 1970s to early 1980s. As opposed to classic spring reverbs found in guitar amps, these units were based on the company’s own patented proprietary design principle, which allowed various connected spring elements of different lengths and wire diameter to vibrate inside a small isolated space. The spring elements were manipulated in various ways, e.g. by etching the wire surface and deforming individual turns of the coil wire resulting in a highly diffused, and very dense reverb, that didn’t expose the boing/chirping artifacts associated with spring reverbs and brought it much closer to the sound of plate reverbs. This range of reverbs is praised for its incredibly deep, organic, complex, rich, smooth and floating character. In terms of sound (but of course not technically) it can been seen as the missing link between classic spring and plate reverbs. A very unique beast indeed!
A drum sequencer that thinks outside the box, where each beat is a live wire, sparking and connecting to create a rhythm that’s alive. That’s Axon 3 for you – not just an update but a complete overhaul of our legendary Axon series. This isn’t your ordinary drum machine; it’s a sonic adventure, blending the familiar with the futuristic. At the heart of Axon 3 lies a sequencer inspired by the complex workings of artificial neural networks. Picture neurons, buzzing with energy, passing triggers in a dance of precision and chaos. When a neuron hits its trigger threshold, it doesn’t just respond; it sings, through its internal synth voice, sends a pulse out into the MIDI universe, or both. The connections between these neurons aren’t random; they’re the building blocks of a rhythm sequencer unlike any. And with a dash of probability magic, we’ve introduced a drum programming style that’s utterly unique. But that’s not all. Each neuron in Axon 3 comes equipped with a powerhouse of a synth voice, drawing on the best of both subtractive and FM synthesis, supercharged with a model inspired by our Boomtschack analog hardware drum module. Axon 3 wraps all this rhythmic innovation in a sleek interface complete with a full mixer, crystalline delay, punchy compressor, and multiple outputs. Whether you’re crafting yout next IDM masterpiece, scoring a film, or just exploring new sonic territories, Axon 3 is your co-pilot in this thrilling journey into sound. So, are you ready to break the rhythm barrier? Welcome to Axon 3.
MJUC is the most effortful plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.
