SynX v2.0.2.CE AAX RTAS VSTi WiN

Team V.R | April 09 2016 | 17 MB

Syn’x 2 is a Polytimbral Synthetizer inspired for the synthesis part by a legendary Italian Synthesizer from the 80’s, while its multilayer card based architecture is inspired by sophisticated hardware analog monsters like the Oberheim Matrix 12. The Sound : It offers the striking combination of clear and punchy DCOs with cutting multimode modeled analog filters like it’s ancestor, one of the last Vintage Polyphonic Analog Synthetizers, and a piece of Synthesis history, including the famous BBD Chorus ! And because it’s multitimbral, you can use up to 16 oscillators, 8 0df Analog Filters, 32 DADSR envelopes and Modulation Matrixes addressing any of the 132 possible destinations to build your own patches, when the 300 Factory Library Presets will be not enough

StompDelay v.1.0.0 WiN MAC

Team R2R/REGGED | March 30 2016 | WiN: 13.5 MB | OSX: 9 MB

Team NeBULA/KGN | March 30 2016 | WiN: 13.1 MB | OSX: 29.17 MB

StompDelay is a creative delay plug-in (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX) designed to provide a wide range of sounds from lush analog tape delays through vibrant loops, from classic ping-pong to scratchy pitch shifts. It features both traditional delay effects and a looper when in “infinite operation mode” (called Infinity mode) that offers continuous tap tempo, as well as accurate tape simulation, including simulating the volume drop that occurs when fast forwarding or cueing the tape.

Waves BSS DPR-402 v9.6.18.8 MAC

Kleen | 25 March 2016 | 43 MB

AU VST AAX VST3 RTAS

Long favored by studio, live and broadcast engineers, the BSS® DPR-402 dynamics processor is known for its punch, versatility, and the explosive sound it delivered on countless rock, dance and hip-hop hits since the 80s. Working in association with BSS Audio, Waves has now modeled this long-unavailable unit, bringing back its diverse functions and sounds, and adding new features for extra flexibility and ease of use. BSS DPR-402 can be used as a straightforward compressor, limiter or de-esser. But it really shows its colors when these processes are combined, and when it is used to selectively process individual parts of the audio band, leaving the rest of the spectrum untouched. The endless possibilities range from low-frequency expansion and narrow-band compression to general dynamic equalization to create surprising enhancement effects.

TS-1 Transient Shaper v1.1.0 WiN MAC

Team R2R | March 10 2016 | WiN: 13.2 MB | OSX: 25 MB

AAX AU VST

TS-1 is a frequency dependent transient shaper designed to manage the attack and sustain of an incoming audio signal. Thanks to our “Compression by Saturation” concept, TS-1 works great to add warmth and punch to your drum tracks without losing dynamics. TS-1 features two separate detection circuits for Attack and Sustain, whose signals can be filtered to improve the detection (SC filtering) or to color the processed audio. A soft clipping circuit will gently saturate and “compress” your signal, in a similar way to a tape saturation.

Ambi Head v1.0 AAX AU VST WiN MAC

Team R2R | March 07 2016 | WiN 9.5 MB | OSX 4.6 MB

Ambi Head is a professional plugin for converting ambisonic signals into 3D binaural audio. It allows manipulations of 3D scenes (rotations and control of spatial width) and contains HRTF filters specifically designed for immersive listening and accurate reproduction of B-format signals. Custom HRTF filters can be loaded via the integrated SOFA importer, letting users choose “custom heads” for personalized binaural rendering. An integrated Goniometer provides visual display of the binaural output (Lissajous display) giving meaningful insights into the scene spatial properties.

Resound v1.7.3 WiN LiNUX MAC

Team R2R | 7 Feb 2016 | LiNUX: 15.7 MB | OSX: 16.5 MB | WiN: 15.3 MB

AU AAX VST RTAS

Resound is a software audio delay effect processor that emulates the sound and operation of vintage magnetic-tape echo units. Whilst not a direct copy of any one particular model, it takes features from several of the classic delay devices, and unites them into a convincing and pleasingly retro sounding effect. Resound not only models the characteristic mechanical noise present in hardware magnetic-tape units, but also allows the noise to be controlled; from gentle warmth and distortion, to noisy, gritty, and unstable. The sound can be shaped further using the moveable highpass filter. And with feedback set beyond a certain intensity, Resound is even capable of self-oscillation.

Resound’s echoes can either be synced to the host tempo (expressing delay times as musical subdivisions of a beat, each echo will be exactly in time with the host) or in free-time mode (allowing any delay time, up to 2 seconds.) The reverse mode adds further flexibility: by playing each delay backwards, Resound can produce unique effects beyond what hardware magnetic-tape units are capable of.

Manifold v1.7.3 AU AAX VST RTAS

Team R2R | 7 Feb 2016 | LiNUX: 12.5 MB | OSX: 14.7 MB | WiN: 12.2 MB

WiN LiNUX MAC

Manifold is a software audio effect processor that enhances an audio signal, producing a fuller, livelier, bigger sound. Input signals are split into as many as 20 individual voices, each of which are detuned, placed around the stereo panorama, and recombined with stunning results. Flexible controls mean Manifold is capable of producing a wide range of effects; from subtle modulations that add interest to lifeless sounds, to extreme detuning that fattens the weakest of input sources.