WiN 8.1 AiO 8in1 x86 x64 En-US May 2015

P2P | 14.05.2015 | x86: 3.97 GB | x64: 5.54 GB

P2P group has released “WiN 8.1 AIO”. WiN 8.1 starts up faster, switches between apps faster, and uses power more efficiently than previous versions of WiN, including WiN 7. Win 8.1 AIO with Pre-Activation, and based on updates up to 12-May-2015. WiN 8.1 brings together everything you do – from new mobile apps for your business, to Office productivity work, to searching and browsing, to accessing all your data from anywhere. Your WiN experience works across all your devices – from the best business tablet, to a thin and light notebook, to your high-performance workstation or all-in-one, whether you are at home, in or around the office, or working on the road. And WiN takes care of the essentials – now letting you manage personal devices in your organization, utilize your investments in your enterprise infrastructure, and enhancing the security of your environment.

Guitar Pro v6.1.6.11621 WiN MAC LiNUX

Team EMBRACE | May 13 2015 | Linux: 52 MB | OSX: 62 MB | WiN: 38 MB

Guitar Pro is a musical software program offering all of the functionalities that all guitarists need.

OverTone Plugins Pack 2015.05.12

WiN MAC LiNUX

TEAM R2R | 2015.05.12 | WiN: 17.37 MB | MAC: 14.38 MB | LiNUX: 18.01 MB

Styled as virtual 500-Series format modules, the bundle includes the EQ500 and DYN500, channel EQ and dynamics VST plugins. The DYN500 provides soft-knee compression, and a gentle ‘tape saturation’ style overdrive when driven at high levels. The EQ500 provides a versatile three band parametric EQ, using our Analogue Filter Modelling algorithms to accurately replicate a natural sounding analogue filter response without requiring high sample rates or CPU intensive upsampling, allowing more plugin instances in a typical DAW. The FC70 emulates the legendary smooth, effortless dynamic control and uniquely musical character of the classic Fairchild 670 limiter. Modelled using measured data and schematics from genuine hardware, the FC70 uses a fully balanced design, combined with innovative delay-free feedback topology to emulate the original circuitry. The sidechain includes the fast attack and program dependent release settings of the original, combined with Lateral / Vertical, Independent and Linked stereo channel modes.

ARTA Audio Measurement

And Analysis Software v1.8.5 WiN

TEAM BEAN | May 12, 2015 | 7,62 MB

ARTA – program for the impulse response measurement and for real-time spectrum analysis and frequency response measurements. You can read ARTA as Audio Real Time Analysis, and also as Art for Audio

AudioLine Bundle v1.7 x86 x64 WiN

TEAM R2R | 2015.05.11 | 58.44 MB

ST-R-I-P + ChopChop + KRUCZ + o-clip

The first line of plugins is called the R.A.O.N series, which stands for Ridiculous Amounts Of Noise.

Sforzando v1.822 WiN MAC

TEAM R2R | 2015.05.08 | WiN: 12.95 MB | MAC: 10.28 MB

AU/STANDALONE/VST/VST3/AAX

sforzando is a free, highly SFZ 2.0 compliant sample player. Advanced sample hobbyists now have a powerful tool to experiment and share instruments without relying on proprietary formats. sforzando has only one instrument slot; no fancy UI, effects or mixers. Every tweak has to be done at the SFZ file level, no cheating! sforzando is also a name given for a sudden change in music dynamics which, in musical notation, is represented by the “sfz” symbol. Free As In Free Me From Proprietary Formats The SFZ Format is widely accepted as the open standard to define the behavior of a musical instrument from a bare set of sound recordings. Being a royalty-free format, any developer can create, use and distribute SFZ files and players for either free or commercial purposes. So when looking for flexibility and portability, SFZ is the obvious choice. That’s why it’s the default instrument file format used in the ARIA Engine.

Chipcrusher v1.822 AAX AU VST RTAS WiN MAC

TEAM R2R 2015.05.08 | WiN: 23.47 MB | MAC: 21.36 MB

Chipcrusher is an advanced bitcrusher, a speaker simulator and noise machine. It’s an audio effect which plays back input audio through a simulation of early lofi digital audio codecs (DAC Encoding), adds grit (Background Noise), and outputs through a selection of speaker and filter impulse responses (Post-Processing).