AGP (Ample Guitar P) is recorded using PRS Artist Custom 24 Guitar, with 5300 samples, 3.76GB, 24 frets, Neck and Neck+Bridge 2 pick-up instrument groups. Every guitar note with real samples — no re-sample. Natural sustain, the longest sample is 28s — no sample loop.
AGF (Ample Guitar F) is recorded using Fender Stratocaster Custom 50’s Guitar, with 5000 samples, 3.89GB, 22 frets, Neck and Neck+Middle 2 pick-up instrument groups. Every guitar note with real samples — no re-sample. Natural sustain, the longest sample is 28s — no sample loop.
Ample Guitar G II aim to bring the Gibson Les Paul Custom Guitar sound to your studio.
Built off of the PCDJ DEX Technology, RED Mobile is lighter DJ software aimed directly at the needs of the Mobile DJ. Everything you want to make your job easier, with a clean and user friendly interface that easy to navigate. Use many of the top controllers or a simple keyboard and mouse, your choice! PCDJ Red Mobile is a computer mixing program geared for a Mobile DJ’s needs. Red Mobile has a powerful Recordcase (track library) that allows you to Import, Mix, and Search all of your mp3, ogg, wma, flac, wav files, unprotected iTunes files easily. Red Mobile supports multiple m3U waitlists, play-list, or crates of mix and match tracks. PCDJ RED Mobile is all you need to rock any mobile event! With Autoplay, a MIX NOW button for quick crossfade and play, an easy to navigate user interface, you have the mobile DJ’s dream package. Less screen clutter and just the right feature set to make your job as easy as possible. Concentrate on your clients and not your DJ software!
The Delta III is simple to use, but far from simplistic. We think it’s the most complete “virtual analogue” synth currently available. If your sounds need to cover the full range from decent to devilish then it’s the ideal instrument!
daOrgan features all of the controls found on the original B3 as well as a sophisticated rotary speaker simulation. These features have been incorporated into an easy-to-use interface, capable of producing a wide range of classic and modern organ sounds.
The HarpTime VST synthesizer was designed to reproduce the sound of the plucked folk harp, and uses an advanced physical modeling synthesis in which twelve strings are all individually modeled to allow true sympathetic resonances. The harp has a beautiful sound which is usable in very many musical styles (mediaeval period music, classical, folk, ambient, film music and ballads, for example). However, samples can only reproduce a limited, and somewhat ‘static’ snapshot of a particular real instrument being played. In comparison, physical modeling allowed us to build a VSTi which reproduces the characteristic of a variety of real harps, with more flexibility, control, and dynamics than a sample set will normally provide. HarpTime can reproduce the beautiful of the Celtic harp, as well as that of many similar types, such as Japanese (koto), Paraguayan and African harps.
