DP Meter Pro v4.3.3 WiN MAC

TEAM R2R | 02 October 2024 | WiN: 28 MB | MAC: 193 MB

PLATFORM: WiN32/64:VST/VST3/AAX | MAC:AU/VST/VST3/AAX

DP Meter Pro (DPMP) is a unique audio analysis tool: it combines very flexible and customizable audio meters with advanced side chaining control capabilities thanks to its MIDI and automation outputs. The metering capabilities of the DPMP plug-in let you control and monitor audio signals exactly the way you want: almost every aspect of the peak, RMS and crest factor meters can be customized. It proposes five different scales by default, including Bob Katz’s popular K-System scales (K-12, K-14, K-20), and you can create your own. Large colored statistics displays following your own scales are included for an overview of a track, while histograms give you a precise measurement of the dynamic range of the track. The graphs show the evolution of the audio envelopes over time, and the mid-side switch lets you verify mono compatibility problems and check the “stereoness” of your audio sources very easily. Whether you are working with mono, stereo or surround tracks, this plug-in will fit into your workflow.

TE-100 v1.1.3 macOS

MORiA | 10 March 2024 | 31.9 MB

The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”

ST-R-I-P v1.1.0 WiN MAC

TEAM R2R | 7 September 2014 | WiN:7.05 MB | MAC: 7.80 MB

.: Analog Channel Strip :.

ST-R-I-P is a analog inspired channel strip for OS X/VST/AU and Windows/VST/64/32. ST-R-I-P features subtle saturation and noise to emulate the behavior of analog mixing desks. It’s intended use is with pure in the box music to give it some texture and depth while having traditional sound shaping features like compression and equalizing at your fingertips. Get traditional, get ST-R-I-P

FreaQ v1.0.0 WiN MAC

P2P | 12 October 2015 | 3.15 MB

.:AAX, AU, VST, VST3, x86, x64:.

FreaQ is an uniquely designed analog mixing desk style equalizer. Featuring super smooth analog low and high shelf filters, 2 fully parametric bell filters and 2 adjustable low pass / high pass filters, FreaQ has everything you need to shape your instruments the way you want them.

Swazher Generator v1.0.0 WiN

Team R2R | 13 March 2016 | 3.4 MB

The overtone exciter. Highlight natural sound presence and add harmonics produced by overfeeding. Take control of the fundamental frequency of the voice or instrument. The natural overtone exciter that really makes the difference. The first process extracts the smallest sound objects, which characterize the sound itself, and then adds them together to create natural harmonics. The Presence setting controls the amount of harmonics that are generated. The second process uses a traditional psychoacoustic method to create harmonics from the overfeed, with a selectable frequency band that is applied to our Presence algorithm. The resultant plugin is not only suitable for vocals, but is also adaptable to almost any instrument, bringing new nuances and richness to your mix.

Noise Bleach v1.5.2 macOS

MORiA | 11 July 2024 | 22.6 MB

EASY.FAST.PRECISE.

Noise Bleach is a mixing tool system with 8 channels noise gate, working on any kind of audio, like drums, guitar, bass, vocals. Noise Bleach removes extra noise or unwanted resonances efficiently, turning any busy loop to its clearest version, and can also be used as a mixing expression tool, transforming a legato to a pizzicato with fast attack audio.

Matcha v1.5.0 WiN

Team R2R | 10 Jun 2024 | 1.32GB

PLATFORM: WiN64 – STANDALONE/VST/VST3/AAX(MODiFiED)

Create authentic guitar sounds with the Matcha DI guitar synthesizer and your favorite guitar amp plugins! Matcha >>> Pedals >>> Amp >>> FX = Realistic Guitar Sounds. Matcha is a unique and innovative musical instrument that allows keyboarders and MIDI artists to create powerful rock guitar tones that sound as realistic as any you’ve ever heard. In fact, it is so realistic that we encourage you to double your MIDI guitar parts, just like you would do when you record real guitar riffs! Matcha is more than just a shockingly authentic-sounding guitar synth with powerful onboard tonal-shaping options though. It’s a professional musical instrument ready to be REAMPED into your favorite guitar amps. It replaces the guitar in a recording setup, but not the amps and FX! Pair Matcha with ANY of your favorite pedals, amps, cabs, and FX to get amazing tones, playable from your MIDI keyboard.