Electronic Dance Music Production

How To Do Mashups and Edits TUTORiAL

TEAM MAGNETRiXX | 28 September 2014 | 304 MB

In this course you will learn How To Do Mashups and Edits, and that is the best way to start to understand how Electronic Music Production works. The course works also as an introduction to Music Production techniques, so even if you don´t know how to work with the software you own, this course gives you the first ideas about what music softwares can do. Mashups and Edits, are somehow easy to do, but many people do it wrong, not on the beat and with hard transitions. At the end of this course you will be able to do them perfectly, on the beat and with smooth transitions, plus you will learn some introductory tips about EQ, Limiter, Reverb, Pitch, Filter, Automation and BPM Change, that are useful to do quality Mashups and Edits. I run the course on Logic Pro, but if you do use any other music software/DAW you can follow the course easily by using the similar plug-ins and techniques I use on Logic Pro on your software.

Composing Counterpoint TUTORiAL

TEAM MAGNETRiXX | 28 September 2014 | 40 MB

There is one thing all great classical composers and jazz/pop arrangers have in common: they have a good working knowledge of counterpoint. In this course, you will learn everything you need to write proper, academic counterpoint. In addition, you’ll learn some cool contrapuntal tricks like inversion and imitation. This course is suitable for both complete beginners to composition and advanced musicians/composers who find they are lacking in counterpoint knowledge. The only prerequisite is that you should be able to read music notation. This course is particularly useful for pop/jazz musicians. In these genres, people with proper contrapuntal skills can be hard to come by, so by learning these skills you can put yourself apart from the crowd.

Advanced Instrument Design KONTAKT TUTORiAL

SYNTHiC4TE | Sept 26 2014 | 689.4 MB

This advanced instrument design course, gives you the knowledge to unleash the programming power in Kontakt. Learn how to create the Kontakt instrument you’ve always dreamed of!. In this course, you learn how make those simple, sample-based instruments really rock! That’s because opens up Kontakt’s amazing toolkit to reveal a remarkable set of “kustom” tools you can deploy to enhance, control and add life to those instruments. You first learn Kontakt’s signal flow and it’s array of advanced playback modes. Scott then takes you through Kontakt’s Beat, Time and Tone Machines. You get inside info on Speed Control, the Amplifier Module and how to create sound-enhancing FX sends and returns. OK, here come the modulators (and Kontakt is loaded with them)! These modulators include envelopes, sequencers, envelope followers and glide, along with an unlimited set of external sources too! Along with the FX, these mods can be assigned, at will, to add realism to your samples or to create wild, out-of-control, insane sonic universes!

Voiceover Recording and Editing

Logic Pro X TUTORiAL

SYNTHiC4TE | Sept 23 2014 | 289 MB

Learn the art of recording voiceovers! This course, by voiceover artist and Logic Pro expert Jonathan Slatter, explains how to record, edit, and produce the most fundamental instrument of all: the Human Voice. Voiceovers are everywhere: Commercials, Films, TV shows, radio and even instructional videos! That’s why, as an engineer or even as a voiceover artist, you need to know how to capture, edit and produce the best-sounding voice recording possible. In this course by Jonathan Slatter, you learn everything you need to know about professional voiceover recording. This course starts at the source: The Voice and Microphone. You learn about the VO signal flow and how to get your mic setup to record high quality tracks in Logic Pro. Jonathan then jumps in to his custom VO booth to explain the essential tools, acoustical treatments and performance techniques needed to get the very best vocal sound. A big part of running a VO session is setting up a Logic template in advance. In this section of the course, Jonathan shows you how he created his custom template, specifically designed for voiceover recording and editing. (Be sure to download the resource file included with this course)

EastWest SSL-FX Explained TUTORiAL

TEAM MATRiX 22.09.2014 | 257.33 MB

EastWest SSL/FX provides professional recording engineers and beginners alike the chance to create the perfect sound through a variety of essential tools, including Convolution Reverb, High Quality EQ, and Traditional and Sidechain Compression that can’t be topped! In this series, veteran musician and studio professional Eli Krantzberg guides you through all of the amazing features and functions of EastWest SSL/FX suite, including How to Identify Frequency Placement for the Best Possible Sound, and Compression Tips to get your recordings Sounding Big and Full. Aside from mastering the FX Drawer in PLAY, an essential element in using the PLAY system, you’ll also receive a detailed Overview of all of the Main Sections of the EastWest SSL/FX. Once you’re familiar with the Basic Features, this series introduces information regarding EastWest SSL/FX’s EQ and Compression Modules, allowing you to truly Take Hold of the Tracks you Record and Mix.

How to Read Music TUTORiAL

TEAM MAGNETRiXX | 23 September 2014 | 171 MB

Dr. Kris Maloy teaches you how to read music on paper and on the keyboard. No prior knowledge required! A Better Way to Learn to Read Music Professor Maloy brings 10 years of experience teaching at four major state universities. Hundreds of his students have gone on to become real professional musicians. Enjoy over 3 hours of real college lectures. Anyone Can Learn In this class you will learn to understand music with no prior knowledge required. You’ll learn the musical alphabet, scales and keys.

Progressive Tech House 2014

with D. Secretz TUTORiAL

TEAM MATRiX | 22 September 2014 | 1.08 GB

Over the next 11 videos Richie takes apart this groove laden genre, from adding air atmosphere and found sounds, to a hypnotic baseline from ANA. Next we create the pads from scratch and a big room ‘hoover’ FX that evolves throughout the track and finally finishing the sound design with some ANA stab sounds. To top it all off we end with some mixing and mastering to really bring the track to life! NB – This is a 3rd party ARTIST SERIES course – and as such expect some 3rd party software to be used during the course such as Xfer LFO Tool. We have also used replacement samples for any third party samples used in this project.