Maximal v2.3.0 WiN MAC LiNUX

Team R2R | 25 April 2022 | 19.88MB

VST • VST3 • AU • AAX

Loudness Maximizer / Brickwall Peak Limiter

Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.

God Mode v2.0.1 WiN MAC

FLARE | 08 September 2021 | WiN: 5.58 MB | MAC: 7.70 MB

..:: VST, VST3, AU, AAX, x86, x64 ::..

The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.

Goliath 2 v1.5.0 WiN MAC

Team R2R | 2021.10.24 | WiN: 16.7MB | OSX: 56.8MB

PLATFORMS: WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised! What’s new ? Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.

Yamaha Vintage Plugin Collection

Team V.R | March 16 2016 | 43 MB

v1.0 VST2 CE x64 WiN (64-bit only) Dawn and OS 64 Bits

The Vintage Channel Strip consists of three plug-ins, reproducing the sound characteristics of classic 1970’s EQ and compressor devices. The Vintage Open Deck is a four-in-one tape saturation plug-in, that brings back the rich sound of legendary open-reel tape recorders. The Vintage Stomp Pack includes five ultra-realistic emulations of sought-after vintage guitar effects.

Tape Cassette 2 v1.2.2 WiN MAC

FLARE | 07 August 2021 | WiN: 6.06 MB | MAC: 66.3 MB

..:: AU, AUv3, VST3, x64 & AAX ::..

Nostalgic Saturation Tape Cassette 2 is an audio plugin that emulates the warmth, noise and character of old tape cassettes. Following up from our well received Tape Cassette 1, we’ve updated the plugin with a sleek interface and more changes under the hood too. Along with a brand new selectable Type 1 Cassette Impulse Response (IR), we’ve improved the saturation algorithm, wow & flutter engine and implemented real sampled tape noise, all which results in a wonderfully warm and more accurate vintage sound. In addition to this you now have two VU meters to monitor your audio as well as selectable oversampling. Now you can easily add that classic sound to an entire track or use it directly on individual channels for added movement, texture, and warmth. Alternatively you can take it further than the material limitations of tape and push the parameters into a far more experimental soundscape, as a sound design tool.

Tape Pro v1.2.1 WiN MAC

FLARE | 07 August 2021 | WiN: 30.1 MB | MAC: 245 MB

..:: AU, AUv3, VST3, x64 & AAX ::..

Endless Creativity. Tape Pro is a multi-effect tape audio plugin that introduces warmth, frequency shaping, modulation, noise and delay. Whether you want to accurately replicate a microcassette tape running at 1.2cm/s, or you want to drive a mastering grade tape machine with strange distortion shapes into a high feedback delay engine, Tape Pro is the plugin for the job. Tape Pro has a module for each sound feature of tape. The first of these in the signal chain is the Saturation module. The variety of distortion types to choose from turn Tape Pro into a valuable creative tool – get the exact saturation sound you want with; Tape, Digital, Rectify, Half-Rectify, Sine and Smooth. Next, the Response module uses a variety of different impulse responses recorded from real tape machines to recreate the authentic character to its sound. Our collection of responses from 12 different tape machines will have you covered; Cassette Type 1, Type 2 and Type 4, Worn, New and Mod Copi-Delay, Master SA812, Master TM15, Microcassette at 1.2cm/s and 2.4cm/s, Semi-Pro RB77 7.5ips and 15ips.

Ambient Tape Machines C1 KONTAKT

DiSCOVER | April/27Th/2020 | 789 MB

Ambient Tape Machines – C1 was created by first capturing 3 unique raw sets of samples, recording them onto cassette tape, and then playing them back at full and half speed on a vintage Library Of Congress C1 cassette player. Analog tape helps give music a certain warmth that is hard to emulate in the digital world, and playing back sounds at half speed on tape is a truly incredible experience. Ambient Tape Machines – C1 allows you to blend and control these lush sounds so you can sculpt the perfect ambient soundscape.