VC 2A v1.3.0 WiN

Team R2R | 17 December 2015 | 256 MB

Vintage Compressors

PLATFORM : WiN32 – VST/RTAS/AAX, WiN64 – VST/AAX

The VC 2A is one of three new vintage compressors from NI that feature DSP guts from modelling experts Softube. The plug-ins operate inside NI’s free Guitar Rig 4 Player. The VC 2A models the famous Teletronix LA-2A. This electro-optical design is popular for its simple two-knob layout (input gain and peak reduction) and its forgiving level-dependent attack and release behaviour. Its only other setting is ratio, which can be switched between limit and compress modes. NI’s VC 2A adds three further options that aren’t in the original: mix blend for parallel compression, sidechaining and detector low cut (20Hz to 2kHz for both external and internal sidechains). Vintage gear junkies will also spot that the VC 2A offers input level metering as well as the gain reduction and output level meter options from the original. With the VC 2A having to be loaded inside Guitar Rig, launching an instance is more complex than IK’s White 2A. However, with the additional features on a dropdown panel and the option to fold away the main panel completely, it’s certainly more flexible.

Dirt Machine v1.1 MAC

P2P | 17.04.2018 | MAC: 19.66 MB

AU VST VST3 AU RTAS 32Bit 64Bit

“Dirt Machine” is your new favorite distortion pedal plugin! Built on the same engine as our highly acclaimed “Grind Machine II”, “Dirt Machine” gives you all the controls you wish you had on your favorite drive boxes with a no-nonsense workflow! The on board 3 band eq allows you to sculpt your tone to perfection, and the built in noise gate helps eliminate noise issues before they happen!

Dirt Machine v1.0 WiN MAC

P2P | 16.04.2018 | WiN+MAC: 23.59 MB

AU VST VST3 AU RTAS x86 x64

“Dirt Machine” is your new favorite distortion pedal plugin! Built on the same engine as our highly acclaimed “Grind Machine II”, “Dirt Machine” gives you all the controls you wish you had on your favorite drive boxes with a no-nonsense workflow! The on board 3 band eq allows you to sculpt your tone to perfection, and the built in noise gate helps eliminate noise issues before they happen!

Complete v9 11.04.2018 MAC

P2P | 14 April 2018 | 10.34 GB

AU/VST/VSTi/VST3/RTAS/AAX/32Bit/64Bit

Complete v9 11.04.2018 WiN

P2P | 14 April 2018 | 10.1 GB

VST/VSTi/VST3/RTAS/AAX/x86/x64

FinalLoud v1.0.3 WiN

TEAM V.R | 09 April 2018 | 2.81 MB

(Win32/64; AAX*, RTAS, VST3, VST)

FinalLoud, a tool that helps you reach the target volume of any audio material while maintaining given True Peak values. FinalLoud solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.

Dynamic Spectrum Mapper WiN MAC

WiN: Team AiR | Feb 2010 | 4.87 MB

MAC: iND | 18 July 2013 | 21.8 MB

WiN: VST/RTAS | MAC: AU/VST/VST3/RTAS/32Bit/64Bit

What is the DSM V2 plugin? The DSM V2 will capture both, the frequency-domain and the dynamic characteristics of even the most complex audio material. This “capture” can then be used in its original form (or even be altered using the Parametric Threshold EQ) to control the dynamics of the audio material and increase the loudness. Thats if you use the DSM V2 plugin as a mastering limiter. In fact it can do much more than this. It can serve as a great de-esser, vocal enhancer and compressor, and it can add some nice magic to your audio. This unique feature uses ground breaking adaptive techniques to capture both the frequency-domain and dynamic characteristics of audio program, and uses this as the basis for a highly developed large scale multiband compression process. This means that it can sympathetically handle programme over a very wide dynamic range without many of the usual compression artefacts, coping even with large-scale percussive events which badly confound conventional compressors.