🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • 112dB Redline Reverb v1.0.12 VST WiN-R2R
    July 16th, 2021 ⚡
    Categories:

    112dB Redline Reverb v1.0.12 VST WiN-R2R

    Redline Reverb v1.0.12 WiN

    Team R2R | 12 Jul 2016 | 13.1 MB

    PLATFORM: WiN32/64 – VST/RTAS/AAX(MODiFiED)

    Redline Reverb is a fully algorithmic and true stereo reverb with possibilities far beyond the conventional – check out the 112 factory presets for a comprehensive showcase of what it can do. Unlike conventional algorithmic reverbs, Redline Reverb does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything in between.


    Viewed 14999 By Music Producers & DJ´s.


  • TSAR-1R Reverb v2.5.9 WiN REPACK-R2R
    July 14th, 2021 ⚡
    Categories:

    TSAR-1R Reverb v2.5.9 WiN REPACK-R2R

    TSAR-1R Reverb v2.5.9 WiN

    Team R2R | 06 Jan 2021 | 10.7MB

    PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

    High end room sounds in seconds.

    TSAR-1R Reverb is the little sibling of the more adjustable TSAR-1 Reverb. They share exactly the same high end reverb algorithm, but TSAR-1R offers extreme ease of use for a fast and intuitive workflow. Essentially, TSAR-1R is operated with a single control — the Time slider. Add depth and dimension to any sound with short and controlled room sounds, or slide it up towards hall settings for large, dramatic spaces. It really is as easy as that, and it always sounds stellar.


    Viewed 19470 By Music Producers & DJ´s.


  • Spring Reverb v2.5.9 WiN FiXED-R2R
    July 13th, 2021 ⚡
    Categories:

    Spring Reverb v2.5.9 WiN FiXED-R2R

    Spring Reverb v2.5.9 WiN

    Team R2R | 05 Jan 2021 | 11.85MB

    PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

    When your mix lacks that certain something, Softube’s Spring Reverb may very well be it. Spring Reverb is an authentic spring reverb recreation that will add vintage character and grit to any audio track. It also includes novel features such as a fully automatable Shake control that will shake the virtual springs around for those thunderous spring effects. Get some recognizable character in your mix with the Spring Reverb!


    Viewed 11667 By Music Producers & DJ´s.


  • TSAR-1 Reverb v2.5.9 WiN-R2R
    July 13th, 2021 ⚡
    Categories:

    TSAR-1 Reverb v2.5.9 WiN-R2R

    TSAR-1 Reverb v2.5.9 WiN

    Team R2R | 05 Jan 2021 | 12.5MB

    PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

    True stereo algorithmic reverb.

    The TSAR-1 Reverb is not an emulation. It’s not a stock design. It’s not a static snapshot of a space. The TSAR-1 is a powerful, modern reverb algorithm. It’s alive and vibrant, it’s gentle and dreamy, and above all — it’s natural and believable. The TSAR-1 is the better-sounding alternative to the established, traditional reverb products.


    Viewed 17380 By Music Producers & DJ´s.


  • Discord4 v4.1.x WiN MAC LiNUX RETAiL-SYNTHiC4TE

    Discord4 v4.1.x WiN MAC LiNUX

    SYNTHiC4TE | Jan 08 2021 | 11 MB

    AU/VST/VST3/AAX/x64

    Discord4 is the latest version of our most popular and long-lived product, our Discord stereo pitch shifter. Originally modeled from the H910, Discord has long since become its own effect and a studio standby, and this version includes major additions to further stretch its capabilities. The pitch-shifter consists of three separate algorithms: a “vintage” mode (the original Discord algorithm, modeled on the Eventide H910 and H949), a “clean” mode for more modern shifting sounds, and a “granular” mode for experimental effects. Each mode has its strengths, depending on the input material, and Discord3 has a broad palette of capabilities as a result. The P1 and P2 algorithms have full control over the buffer (window) size of the shift effect, for fine tuning the shift to the input signal, or for stranger sound effects. At the extremes of the six-octave shift range, some truly strange aliasing and artifacts can be had with this control.


    Viewed 13540 By Music Producers & DJ´s.


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