Emulator X3 v3.0.0 WiN

Team R2R | 16.03.2021 | 52.3 MB

PLATFORM: WiN32/64 – STANDLONE/VSTi

Added 🎵44 Libraries🎵 E-MU X | 24.46 GB

Emulator X3 Software Sampler is the culmination of over 30 years of sampler development that offers the sound quality, synthesis and filters of E-MU’s hardware samplers and introduces a host of new tools that includes SynthSwipe automated hardware sampling, TwistaLoop non-destructive audio manipulator, Morph Filter Designer to create custom filters, Multi-Function Generator for advanced LFO/envelope/arpeggiator programming, advanced Transform Multiply convolution DSP tool, real-time control of multiple loop points, REX2 and MP3 import, and much more. Emulator X2 still offers E-MU’s 24-bit/192kHz sound engine and patented pitch interpolation, and can be run either standalone (64 MIDI channels) or as a VST instrument (16 MIDI channels per instantiation). Emulator X2 runs on Windows XP and includes over 3GB of sounds and a 2in/2out USB MIDI interface.

Mongoose 2 v2.0.x WiN MAC

TEAM R2R | 08 March 2024 | WiN: 3.98 MB | MAC: 8.47 MB

64-bit VST2.4, VST3, AU, AAX

Panning is one of our most powerful tools as mixing engineers, but due to the fact that we have to create our mixes for multiple environments (headphones, speakers, etc) we are bound by how we can pan our instruments while still sounding natural on all of these playback systems. Have you ever noticed that panning an instrument to one side sounds fine on loudspeakers but hurts your brain on headphones? This is because in real life, no sound goes into just one ear unless it’s coming from your ear (like headphones). Mongoose fixes this problem by summing low frequencies to mono so that no matter how far you pan your instruments, they will sound equally natural on both headphones and speakers.

Pan Knob v2.x.x WiN MAC

TEAM R2R | 08 March 2024 | 33 MB

..:: VST2, VST3, AU, AAX, x64 ::..

Pan Knob overcomes the limitations of traditional panning schemes with a superior algorithm that centers low frequencies while panning higher frequencies for superior balance and mix translation.

Plus10db Bundle v2.0.x WiN MAC

Team R2R | 08 March 2024 | WiN: 23.8 MB | MAC: 52.5 MB

PLATFORM: AU/VST/VST3/AAX

+10db is a channel strip plugin meticulously modeled after one of the industries most iconic hardware compressors. Unless you refuse to listen to any music after Beethoven, you most certainly have heard this unit in action. Best yet, this is the first time this hardware unit has been available in plugin format. +10db is the first of it’s kind channel strip plugin. This plugin is modelled after a very highly sought after compressor hardware unit. We didn’t just use the hardware unit for inspiration, we dug in deep and made sure that it sounded just like the original.

T-Bone 2 v2.x.x WiN MAC

Team R2R | 08 March 2024  | WiN: 20.19 MB | MAC: 52.55 MB

PLATFORM: AU/VST/VST3/AAX

One of the most important parts of getting a good mix is your ability to mix before ear fatigue sets in. This is why sometimes plugins that give you control over every little detail often lead to worse mixes. This is where T-Bone comes in. T-Bone is designed to be fast. Get in and get out. It gives you quick access to all the necessary tone adjustment tools that 95% of your tracks need. Adjust the brightness, focus, air and beef with simple and fast controls. And when you are done, you can check your sanity with the “intensity” control, which lets you dial back everything (or dig in harder) if you’ve overdone it.

U-HE Everything Bundle 2022

R2R | 17 Jan 2023 | WiN: 481.4MB | LiNUX: 379.5MB | MAC: 1.05GB

Our everything bundle includes, unsurprisingly, all the commercial plug-ins we have in our catalog. You will receive six synths and seven effects—everything you need to kickstart your music production and sound design.

Cycle v1.8 WiN MAC

TEAM R2R-HEXWARS | 2015.02.25 | WiN+MAC: 50MB

Spectral Vertex Synthesizer

Cycle has a visual workflow for synthesizing sound at the waveform and spectrum level. Using points and lines to design waveshapes and spectral filters, you have the power to add detail where it is needed and directly create the character of the sound you’re after. The result is a capable and productive sound design process. Part of this design philosophy is to visualize as much as possible, providing you with a graphic representation of the output signal – one that is updated in realtime whenever a change is made. With this in mind, the user interface shows different views of the signal and its spectral information. Each perspective doubles as an editor for the curve ‘wireframe’ that contributes its part of the signal processing chain. Wherever possible, Cycle sets no limits. There are unlimited points in a curve, unlimited spectral layers, waveshape layers, deformer curves, scratch envelopes, and unison voices.