Klavee v1.1.7 WiN MAC

Team FLARE | 10 February 2021 | WiN: 33.8 MB | OSX: 29.7 MB

.: AU, VSTi, x86, x64 & STANDALONE :.

KLAVEE: RARE CZECH ELECTRIC PIANO, RESTORED.

Klavee is the virtual restoration of a gem. The Czech Klaviphon. A plucked electric piano manufactured in the 60s in the Czech Republic. There’s no other Electric Piano like this one and it’s never been recreated into a virtual instrument, until now. A rare-piece specially made for electric piano collectors.

Geist 2 v2.6.0.5 WiN MAC

Team R2R | August 11 2016 | 32.20 MB | Factory Content: 2.41 GB

Geist2 is a streamlined environment for beat creation and sound sculpting that provides instant inspiration and new ideas for your productions. It combines deep sample manipulation, arrangement and modulation capabilities for an intuitive and fast workflow. Geist2 is designed so that nothing gets in the way of your creativity.

KORE v2.1.x WiN MAC

Team DYNAMiCS | 03/03/2008 | WiN+MAC: 3.15 GB

R2R | 21.9.2012 | UPDATE v2.1.4 WiN ONLY: 299 MB

KORE 2 is the Super Instrument – a powerful software / hardware system with a versatile library of more than 500 production-ready sounds with over 3,000 sound variations, plus over 100 effect settings. Find, play, and tweak sounds with unprecedented speed, power and ease. KORE 2 features six integrated sound engines, a dedicated hardware controller, and the ultra-fast KoreSound® browser. Additionally, KORE 2 is infinitely expandable with the KORE SOUNDPACKS, KOMPLETE 5 or any other Audio Unit™/VST®-plug-in. Production-ready sound library: KORE 2 produces cutting-edge sounds right from the start based on the integrated sound engines of REAKTOR, MASSIVE, ABSYNTH, FM8, KONTAKT and GUITAR RIG. The versatile sound library covers production-ready sounds of nearly all kinds – ranging from band and orchestral instruments to synthesizers, drums, soundscapes and sound effects. Every included sound provides up to 8 sound variations which can be morphed using the unique morphing pad or the KORE controller – intricate sonic transitions are at your fingertips!

Austrian Grand Piano v1.7

P2P | 16.02.2020 | WiN: 4.07 GB | MAC: 6.09 GB

..:: AAX, AU, VSTi, 32Bit, 64Bit ::..

Austrian Grand piano was sampled from a 100 year old Bruder Mikula Wien Austrian grand through a pair of AEA R84 ribbon microphones into an AEA TRP ribbon microphone preamp. Prior to recording, the piano’s hammer felts were sanded down to warm them up a bit. The piano was sampled in stereo under the lid, because that’s where the tone sounded best, at a sample rate of 44.1 kHz. It took many weeks to sample the piano entirely, as it was in such a state that most of the tuning pegs could no longer hold a pitch for any length of time. The piano was sampled labriously, with the softest to loudest dynamics being played, resulting in a library that can boast 10 velocity layers and 2 note round-robin.

VirSyn PlugIns Pack WiN

AiR/ASSiGN | 2009/2011 | 177 MB

..:: VST, VSTi, RTAS, x86, x64 ::..

Bark, Cantor, FDelay, Klon, Matrix, Poseidon, Prism, Reflect, TDesign, Tera, Vtape.

Beats Drum v2.6 WiN MAC

Team DECiBEL | 18 Feb 2020 | 3.82 GB

Beats Drum VST, Au, and Kontakt sample library was created by sampling 3 drum kits and 14 different snares using different combinations of drum heads and tunings in an acoustically dead environment. The end result is a large drum sample library with interchangeable parts that sounds great no matter the combination. The various kits and drums were sampled utilyzing the Glyn Johns method. Drum overheads were a pair of Shure SM81’s, bass drums were recorded through an Audix D6, and snare drums were captured with a Shure SM 57, with various spot mics used to beef up the sound of the toms when needed.

Electric Bass v1.3 WiN MAC

Team DECiBEL | 19 Feb 2020 | WiN: 3.6 GB | MAC: 4.04 GB

…::: AAX, AU, VSTi, x86 ,x64 :::…

Electric Bass was sampled from a Yamaha BB424x electric bass guitar. The bass was modified so that individual pickups were wired to independent jacks, thus allowing for independent sampling of the bridge and neck pickups. Volume and tone pots were bypassed, so resistors were wired in their place to minimize the “ice pick” sound of an electric bass without pots. The pickups were then run into individual Radial 48 active direct boxes and Grace 101 preamps, which provided additional gain. Sampling began by recording with the target of 4 velocity layers with 5 note round-robin. The strings of the bass were kept relatively bright and fresh. Nearly the entire bass was sampled in this manner, but the results were unsatisfactory, so the bass was re-sampled from the beginning with 10 velocity layers, 4-note round robin, and mellow strings.